Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 83Gale Research Company, 1984 |
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Page 123
... language by his commitment to words as the sole carriers of meaning . Words , after all , can be slippery . To use the terms proposed by the Swiss linguist Ferdi- nand de Saussure , the nature of the linguistic sign , or the word ...
... language by his commitment to words as the sole carriers of meaning . Words , after all , can be slippery . To use the terms proposed by the Swiss linguist Ferdi- nand de Saussure , the nature of the linguistic sign , or the word ...
Page 248
... language of the body loses the merely paradoxical quality that Sau- ssurean or other rationalist ideas of language as a conceptual system makes unavoidable . And yet Foucault's concept of a discourse and the discursive production of the ...
... language of the body loses the merely paradoxical quality that Sau- ssurean or other rationalist ideas of language as a conceptual system makes unavoidable . And yet Foucault's concept of a discourse and the discursive production of the ...
Page 249
... language of the major carnival Fat Man of the English stage , Sir John Falstaff . But the problem here , which I have hinted at in my reference to the pleasures of the ballet , is that in 1 & 2 Henry IV the language of the lower body ...
... language of the major carnival Fat Man of the English stage , Sir John Falstaff . But the problem here , which I have hinted at in my reference to the pleasures of the ballet , is that in 1 & 2 Henry IV the language of the lower body ...
Contents
Cumulative Character Index | 355 |
Cumulative Topic Index | 367 |
Cumulative Topic Index by Play | 391 |
Copyright | |
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abuse Achilles appears Arcite audience Bassanio becomes Brutus Cambridge catastrophe characters Christian comedy comic Cordelia critics daughter death desire Diomedes disguise dramatic Edgar Edmund effeminacy Elizabethan Emilia English erotic essay Falstaff fantasy father feel Fool friends friendship Gentlemen of Verona Gloucester Gloucester's gods Goneril Greek grotesque body Hamlet Hector Helen Henry heterosexual homosexual homosocial Horatio husband identity John Kent King Lear language Lear's literary London lover male bonds manly marriage masculinity ment Merchant of Venice Merry Wives nature Noble Kinsmen Palamon Pandarus petty treason play's plot political Press prince Proteus Regan relationship Renaissance Rosencrantz same-sex says scene seems sense sexual Shake Shakespeare Shakespeare's play social sources speak speare speare's speech stage storm story suggests thee theme Thersites thou Timon tion tragedy Troilus and Cressida Troilus's Trojan Troy Twelfth Night Valentine wife Wives of Windsor woman women words York