Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 83Gale Research Company, 1984 |
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Page 132
... later , when Lear comes in with the dead Cordelia in his arms . Lear lays her down and tries to find some spark of life in her , first by holding a mirror to her lips , and then irrationally trying a less sensitive method , a feather ...
... later , when Lear comes in with the dead Cordelia in his arms . Lear lays her down and tries to find some spark of life in her , first by holding a mirror to her lips , and then irrationally trying a less sensitive method , a feather ...
Page 134
... later Lear's love - motive returns : Thou rascal beadle , hold thy bloody hand ! Why dost thou lash that whore ... later , when Edmund has captured Lear and Cordelia , and has sent them off to prison , Lear is still sane , and he ...
... later Lear's love - motive returns : Thou rascal beadle , hold thy bloody hand ! Why dost thou lash that whore ... later , when Edmund has captured Lear and Cordelia , and has sent them off to prison , Lear is still sane , and he ...
Page 156
... later by Holinshed . Juxtaposed in a causal relationship by Geoffrey , division and warfare , in harness again ... later governs , that interval is but a calm before the storm wherein the sons of Goneril and Regan harass and later ...
... later by Holinshed . Juxtaposed in a causal relationship by Geoffrey , division and warfare , in harness again ... later governs , that interval is but a calm before the storm wherein the sons of Goneril and Regan harass and later ...
Contents
Cumulative Character Index | 355 |
Cumulative Topic Index | 367 |
Cumulative Topic Index by Play | 391 |
Copyright | |
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abuse Achilles appears Arcite audience Bassanio becomes Brutus Cambridge catastrophe characters Christian comedy comic Cordelia critics daughter death desire Diomedes disguise dramatic Edgar Edmund effeminacy Elizabethan Emilia English erotic essay Falstaff fantasy father feel Fool friends friendship Gentlemen of Verona Gloucester Gloucester's gods Goneril Greek grotesque body Hamlet Hector Helen Henry heterosexual homosexual homosocial Horatio husband identity John Kent King Lear language Lear's literary London lover male bonds manly marriage masculinity ment Merchant of Venice Merry Wives nature Noble Kinsmen Palamon Pandarus petty treason play's plot political Press prince Proteus Regan relationship Renaissance Rosencrantz same-sex says scene seems sense sexual Shake Shakespeare Shakespeare's play social sources speak speare speare's speech stage storm story suggests thee theme Thersites thou Timon tion tragedy Troilus and Cressida Troilus's Trojan Troy Twelfth Night Valentine wife Wives of Windsor woman women words York