Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 83Gale Research Company, 1984 |
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Page 80
... never really expected it would . Recognizing that Brutus could never consider a woman his equal , she thinks she must prove herself a man to win his confidence . She realizes that , to the extent she is a woman , Brutus will never give ...
... never really expected it would . Recognizing that Brutus could never consider a woman his equal , she thinks she must prove herself a man to win his confidence . She realizes that , to the extent she is a woman , Brutus will never give ...
Page 169
... never , never , never , never " ( " And will a ' not come again ? / No , no , he is dead . . . he never will come again " ) . " Ophelia mourns her father , but the figure is conflated in her confused imagination with brother and lover ...
... never , never , never , never " ( " And will a ' not come again ? / No , no , he is dead . . . he never will come again " ) . " Ophelia mourns her father , but the figure is conflated in her confused imagination with brother and lover ...
Page 351
... never existed . They were no knights errant but a bunch of " arrant knaves " . " Ruggiero , a most fair youth , / was both Agramante's and Charles ' fag , / Gradasso and Mandricardo both stallions / who never left the tavern , / Rinaldo ...
... never existed . They were no knights errant but a bunch of " arrant knaves " . " Ruggiero , a most fair youth , / was both Agramante's and Charles ' fag , / Gradasso and Mandricardo both stallions / who never left the tavern , / Rinaldo ...
Contents
Cumulative Character Index | 355 |
Cumulative Topic Index | 367 |
Cumulative Topic Index by Play | 391 |
Copyright | |
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abuse Achilles appears Arcite audience Bassanio becomes Brutus Cambridge catastrophe characters Christian comedy comic Cordelia critics daughter death desire Diomedes disguise dramatic Edgar Edmund effeminacy Elizabethan Emilia English erotic essay Falstaff fantasy father feel Fool friends friendship Gentlemen of Verona Gloucester Gloucester's gods Goneril Greek grotesque body Hamlet Hector Helen Henry heterosexual homosexual homosocial Horatio husband identity John Kent King Lear language Lear's literary London lover male bonds manly marriage masculinity ment Merchant of Venice Merry Wives nature Noble Kinsmen Palamon Pandarus petty treason play's plot political Press prince Proteus Regan relationship Renaissance Rosencrantz same-sex says scene seems sense sexual Shake Shakespeare Shakespeare's play social sources speak speare speare's speech stage storm story suggests thee theme Thersites thou Timon tion tragedy Troilus and Cressida Troilus's Trojan Troy Twelfth Night Valentine wife Wives of Windsor woman women words York