Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 83Gale Research Company, 1984 |
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Page 191
... scene begins with Kent , Lear , and the Fool entering through one door and crossing to the door representing the hovel . The first words of the scene , spoken by Kent , would not make sense if said immediately upon entering the stage ...
... scene begins with Kent , Lear , and the Fool entering through one door and crossing to the door representing the hovel . The first words of the scene , spoken by Kent , would not make sense if said immediately upon entering the stage ...
Page 195
... scene , " The fragmentation of the discourse so limits and denies interpretation by wresting all vision to Lear's perspective that seeing , understanding , and knowing remain problematic . " " 4 The cottage scene begins with brief ...
... scene , " The fragmentation of the discourse so limits and denies interpretation by wresting all vision to Lear's perspective that seeing , understanding , and knowing remain problematic . " " 4 The cottage scene begins with brief ...
Page 395
... scene ( Act III , scene iv ) 16 : 259 ; 21 : 151 , 334 , 392 ; 35 : 204 , 229 ; 44 : 119 , 237 conflict between idealism and pragmatism 60 : 71 costume 21 : 81 death , decay , and nature's destructiveness 1 : 144 , 153 , 188 , 198 , 221 ...
... scene ( Act III , scene iv ) 16 : 259 ; 21 : 151 , 334 , 392 ; 35 : 204 , 229 ; 44 : 119 , 237 conflict between idealism and pragmatism 60 : 71 costume 21 : 81 death , decay , and nature's destructiveness 1 : 144 , 153 , 188 , 198 , 221 ...
Contents
Cumulative Character Index | 355 |
Cumulative Topic Index | 367 |
Cumulative Topic Index by Play | 391 |
Copyright | |
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abuse Achilles appears Arcite audience Bassanio becomes Brutus Cambridge catastrophe characters Christian comedy comic Cordelia critics daughter death desire Diomedes disguise dramatic Edgar Edmund effeminacy Elizabethan Emilia English erotic essay Falstaff fantasy father feel Fool friends friendship Gentlemen of Verona Gloucester Gloucester's gods Goneril Greek grotesque body Hamlet Hector Helen Henry heterosexual homosexual homosocial Horatio husband identity John Kent King Lear language Lear's literary London lover male bonds manly marriage masculinity ment Merchant of Venice Merry Wives nature Noble Kinsmen Palamon Pandarus petty treason play's plot political Press prince Proteus Regan relationship Renaissance Rosencrantz same-sex says scene seems sense sexual Shake Shakespeare Shakespeare's play social sources speak speare speare's speech stage storm story suggests thee theme Thersites thou Timon tion tragedy Troilus and Cressida Troilus's Trojan Troy Twelfth Night Valentine wife Wives of Windsor woman women words York