Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 83Gale Research Company, 1984 |
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Page 188
... storm would have been evoked through their words and actions . Nonetheless , the Folio seven times notes in stage directions the storm's presence , suggesting that there was some external representation of the storm on the stage . Lear ...
... storm would have been evoked through their words and actions . Nonetheless , the Folio seven times notes in stage directions the storm's presence , suggesting that there was some external representation of the storm on the stage . Lear ...
Page 189
... storm " -is based on three perceptions about the careful timing of the direc- tions : ( 1 ) The storm sounds occur so as not to confuse the audience about the setting for scenes . When the words " Storm still " are present at the ...
... storm " -is based on three perceptions about the careful timing of the direc- tions : ( 1 ) The storm sounds occur so as not to confuse the audience about the setting for scenes . When the words " Storm still " are present at the ...
Page 193
... storm not in the short 3.2 but in 3.4 , the only scene in which the voice of the storm is heard more than once . The first two scenes of Act 3 are both short and structurally simple enough to allow for one sustained beat , but that is ...
... storm not in the short 3.2 but in 3.4 , the only scene in which the voice of the storm is heard more than once . The first two scenes of Act 3 are both short and structurally simple enough to allow for one sustained beat , but that is ...
Contents
Cumulative Character Index | 355 |
Cumulative Topic Index | 367 |
Cumulative Topic Index by Play | 391 |
Copyright | |
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abuse Achilles appears Arcite audience Bassanio becomes Brutus Cambridge catastrophe characters Christian comedy comic Cordelia critics daughter death desire Diomedes disguise dramatic Edgar Edmund effeminacy Elizabethan Emilia English erotic essay Falstaff fantasy father feel Fool friends friendship Gentlemen of Verona Gloucester Gloucester's gods Goneril Greek grotesque body Hamlet Hector Helen Henry heterosexual homosexual homosocial Horatio husband identity John Kent King Lear language Lear's literary London lover male bonds manly marriage masculinity ment Merchant of Venice Merry Wives nature Noble Kinsmen Palamon Pandarus petty treason play's plot political Press prince Proteus Regan relationship Renaissance Rosencrantz same-sex says scene seems sense sexual Shake Shakespeare Shakespeare's play social sources speak speare speare's speech stage storm story suggests thee theme Thersites thou Timon tion tragedy Troilus and Cressida Troilus's Trojan Troy Twelfth Night Valentine wife Wives of Windsor woman women words York