Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 83Gale Research Company, 1984 |
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Page 92
... telling the reasons themselves . Significantly , he then shuts off any genuine discussion of his own feelings , telling ... tells Hamlet of the players ' approach , he says that they travel partly because they have been abandoned by city ...
... telling the reasons themselves . Significantly , he then shuts off any genuine discussion of his own feelings , telling ... tells Hamlet of the players ' approach , he says that they travel partly because they have been abandoned by city ...
Page 116
... tell what I can tell . What canst tell , boy ? She will taste as like this as a crab does to a crab . Thou canst tell why one's nose stands i ' th ' middle on's face ? No. Why , to keep one's eyes of either side ' s nose , that what a ...
... tell what I can tell . What canst tell , boy ? She will taste as like this as a crab does to a crab . Thou canst tell why one's nose stands i ' th ' middle on's face ? No. Why , to keep one's eyes of either side ' s nose , that what a ...
Page 311
... telling us what women are . She tells us what men think women are , pointing out the two contradictory stereotypes of women that dominate men's relations with the opposite sex . Cressida contrasts ' angels ' - with connotations of ...
... telling us what women are . She tells us what men think women are , pointing out the two contradictory stereotypes of women that dominate men's relations with the opposite sex . Cressida contrasts ' angels ' - with connotations of ...
Contents
Cumulative Character Index | 355 |
Cumulative Topic Index | 367 |
Cumulative Topic Index by Play | 391 |
Copyright | |
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abuse Achilles appears Arcite audience Bassanio becomes Brutus Cambridge catastrophe characters Christian comedy comic Cordelia critics daughter death desire Diomedes disguise dramatic Edgar Edmund effeminacy Elizabethan Emilia English erotic essay Falstaff fantasy father feel Fool friends friendship Gentlemen of Verona Gloucester Gloucester's gods Goneril Greek grotesque body Hamlet Hector Helen Henry heterosexual homosexual homosocial Horatio husband identity John Kent King Lear language Lear's literary London lover male bonds manly marriage masculinity ment Merchant of Venice Merry Wives nature Noble Kinsmen Palamon Pandarus petty treason play's plot political Press prince Proteus Regan relationship Renaissance Rosencrantz same-sex says scene seems sense sexual Shake Shakespeare Shakespeare's play social sources speak speare speare's speech stage storm story suggests thee theme Thersites thou Timon tion tragedy Troilus and Cressida Troilus's Trojan Troy Twelfth Night Valentine wife Wives of Windsor woman women words York