Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 83Gale Research Company, 1984 |
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Page 163
... tradition and its bearing on King Lear , see Roland M. Smith , " King Lear and the Merlin Tradition , " Modern Language Quarterly 7 ( 1946 ) , pp . 153-74 , and Donna B. Hamilton , " Some Romance Sources for King Lear , " Studies in Phi ...
... tradition and its bearing on King Lear , see Roland M. Smith , " King Lear and the Merlin Tradition , " Modern Language Quarterly 7 ( 1946 ) , pp . 153-74 , and Donna B. Hamilton , " Some Romance Sources for King Lear , " Studies in Phi ...
Page 219
... TRADITION OF QUEEN ELIZABETH'S REQUEST The relation of the play to Henry IV is considered as fixed by the tradition that Queen Elizabeth ordered the playwright to present Falstaff in love , because of her pleasure in seeing him in the ...
... TRADITION OF QUEEN ELIZABETH'S REQUEST The relation of the play to Henry IV is considered as fixed by the tradition that Queen Elizabeth ordered the playwright to present Falstaff in love , because of her pleasure in seeing him in the ...
Page 237
... tradition of the Queen's command aside , making Falstaff the dupe in a domestic comedy would require a radical change in character . And had not the real , the original knight died babbling of green fields and gone to Arthur's bosom ...
... tradition of the Queen's command aside , making Falstaff the dupe in a domestic comedy would require a radical change in character . And had not the real , the original knight died babbling of green fields and gone to Arthur's bosom ...
Contents
Cumulative Character Index | 355 |
Cumulative Topic Index | 367 |
Cumulative Topic Index by Play | 391 |
Copyright | |
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abuse Achilles appears Arcite audience Bassanio becomes Brutus Cambridge catastrophe characters Christian comedy comic Cordelia critics daughter death desire Diomedes disguise dramatic Edgar Edmund effeminacy Elizabethan Emilia English erotic essay Falstaff fantasy father feel Fool friends friendship Gentlemen of Verona Gloucester Gloucester's gods Goneril Greek grotesque body Hamlet Hector Helen Henry heterosexual homosexual homosocial Horatio husband identity John Kent King Lear language Lear's literary London lover male bonds manly marriage masculinity ment Merchant of Venice Merry Wives nature Noble Kinsmen Palamon Pandarus petty treason play's plot political Press prince Proteus Regan relationship Renaissance Rosencrantz same-sex says scene seems sense sexual Shake Shakespeare Shakespeare's play social sources speak speare speare's speech stage storm story suggests thee theme Thersites thou Timon tion tragedy Troilus and Cressida Troilus's Trojan Troy Twelfth Night Valentine wife Wives of Windsor woman women words York