the stored-up power in all human muscles, in all the manufactories, in all the guns, all this is almost nothing compared with that of which the sun is capable. Do we think that we have measured the solar power by 5 enumerating the effects which it produces on the earth? Error! profound, tremendous, foolish error! This would be to believe still that this star has been created only for the purpose of illuminating terrestrial humanity. In reality, what an infinitesimal fraction of the sun's total radia10 tion the earth receives and uses! In order to appreciate it, let us consider the distance of ninety-three millions of miles which separates us from the central star, and at this distance let us see what effect our little globe produces, what heat it intercepts. Let us imagine an immense 15 sphere traced at this distance from the sun, and entirely surrounding it. Well, on this gigantic sphere, the spot intercepted by our little earth is only equivalent to the fraction 2138000000 That is to say that the dazzling solar hearth radiates all around it through immensity a 20 quantity of light and heat two thousand, one hundred and thirty-eight million times more than that which we receive, and of which we have just now estimated the stupendous effects. The earth only stops in its passage the two thousand-millionth part of the total radiation. 25 It is absolutely impossible for our conception to imagine such a proportion. Nú tri'tious (shus): nourishing. Ludovico Ä ri os'to (14741533): a famous Italian poet. Căl ó rif'ic: producing heat, In fin i těs'i mal: very small. Elegy Written in a Country Churchyard BY THOMAS GRAY Thomas Gray (17161771): An English poet, the author of a few beautiful poems which were corrected and polished in the most painstaking manner. "The Elegy in a Country Churchyard," his most famous poem, occupied him during eight years and was rewritten many times. Among Gray's other poems are "The Progress of Poesy," "The Bard," and "Ode on a Distant Prospect of Eton College." Thomas Gray The curfew tolls the knell of parting day, Now fades the glimmering landscape on the sight, 5 Save that from yonder ivy-mantled tower The moping owl does to the moon complain 10 5 10 15 20 25 Of such as, wandering near her secret bower, Beneath those rugged elms, that yew tree's shade, The rude forefathers of the hamlet sleep. The breezy call of incense-breathing morn, The swallow twittering from the straw-built shed, The cock's shrill clarion, or the echoing horn, No more shall rouse them from their lowly bed. For them no more the blazing hearth shall burn, Oft did the harvest to their sickle yield, Their furrow oft the stubborn glebe has broke: Let not Ambition mock their useful toil, Their homely joys, and destiny obscure; The short and simple annals of the poor The boast of heraldry, the pomp of power, And all that beauty, all that wealth e'er gave, The paths of glory lead but to the grave. Nor you, ye proud, impute to these the fault, If Memory o'er their tombs no trophies raise, Where through the long-drawn aisle and fretted vault The pealing anthem swells the note of praise. Can storied urn or animated bust 5 Back to its mansion call the fleeting breath? Can Honor's voice provoke the silent dust Or Flattery soothe the dull, cold ear of death? Perhaps in this neglected spot is laid Some heart once pregnant with celestial fire; Hands, that the rod of empire might have swayed, Or waked to ecstasy the living lyre. 10 But Knowledge to their eyes her ample page Chill Penury repressed their noble rage, 15 And froze the genial current of the soul. Full many a gem of purest ray serene, The dark unfathomed caves of ocean bear: Full many a flower is born to blush unseen, And waste its sweetness on the desert air. Some village Hampden, that with dauntless breast Some mute inglorious Milton here may rest, Some Cromwell guiltless of his country's blood. Th' applause of listening senates to command, 10 15 20 25 To scatter plenty o'er a smiling land, Their lot forbade : nor circumscribed alone Their growing virtues, but their crimes confined The struggling pangs of conscious truth to hide, With incense kindled at the Muse's flame. Far from the madding crowd's ignoble strife, They kept the noiseless tenor of their way. Yet even these bones from insult to protect With uncouth rhymes and shapeless sculpture decked, Their name, their years, spelt by the unlettered Muse, And many a holy text around she strews, For who, to dumb forgetfulness a prey, This pleasing anxious being e'er resigned, Nor cast one longing, lingering look behind? |