The Art of Comedy WritingRoutledge, 2017 M09 29 - 136 pages Just as a distinctive literary voice or style is marked by the ease with which it can be parodied, so too can specific aspects of humor be unique. Playwrights, television writers, novelists, cartoonists, and film scriptwriters use many special technical devices to create humor. Just as dramatic writers and novelists use specific devices to craft their work, creators of humorous materials from the ancient Greeks to today's stand-up comics have continued to use certain techniques in order to generate humor. In The Art of Comedy Writing, Arthur Asa Berger argues that there are a relatively limited number of techniques forty-five in all that humorists employ. Elaborating upon his prior, in-depth study of humor, An Anatomy of Humor, in which Berger provides a content analysis of humor in all forms joke books, plays, comic books, novels, short stories, comic verse, and essaysThe Art of Comedy Writing goes further. Berger groups each technique into four basic categories: humor involving identity such as burlesque, caricature, mimicry, and stereotype; humor involving logic such as analogy, comparison, and reversal; humor involving language such as puns, wordplay, sarcasm, and satire; and finally, chase, slapstick, and speed, or humor involving action. Berger claims that if you want to know how writers or comedians create humor study and analysis of their humorous works can be immensely insightful. This book is a unique analytical offering for those interested in humor. It provides writers and critics with a sizable repertoire of techniques for use in their own future comic creations. As such, this book will be of interest to people inspired by humor and the creative process professionals in the comedy field and students of creative writing, comedy, literary humor, communications, broadcast/media, and the humanities. |
From inside the book
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... History and criticism. I. Title. PN6147.B476 1997 808.7—dc21 97-6163 CIP ISBN 13: 978-1-4128-1489-8 (pbk) ISBN 13: 978-1-56000-324-3 (hbk) Contents Preface Acknowledgements 1. Comic Techniques in Dramatic Comedies 1 Copyright Page.
Arthur Asa Berger. Contents. Preface Acknowledgements 1. Comic Techniques in Dramatic Comedies 1 2. The Braggart Captain: Miles Gloriosus 3. Make What You Will of Comedy: Twelfth Night 4. No Trusting to Appearances: The School for Scandal ...
... comics who want to create humorous material. It will be of use to anyone who wants to be funny or create humorous material for whatever purpose. In addition, it will be useful to scholars from many disciplines and others who like humor ...
... comic sensibility—I don't think this book will help you learn how to write good comedy or analyze humor very well. But if you do have a sense of the ridiculous, you can learn how some of the greatest writers of comedies have generated ...
... , Tom Stoppard's Travesties, and Samuel Beckett's Krapp's Last Tape, and to Faber & Faber for Tom Stoppard's Travesties and Trevor Griffiths's Comedians. Taylor & Francis Taylor & Francis Group 1 Comic Techniques ix Acknowledgements.
Contents
1 | |
Miles Gloriosus | 51 |
Twelfth Night | 65 |
The School for Scandal | 83 |
The Bald Soprano | 97 |
6 Beyond Devices | 111 |
Bibliography | 119 |
Name Index | 123 |
Subject Index | 125 |