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ing to sea again could have pleased him so much.

Mrs. Bennet saw much to be grateful for in its manner; in her own inimitable way, she So it was settled that at Christmas Joe dilated on the satisfaction it must have been

should come back for Tilly.

When the engagement became known in town, there was great wonderment about it. How did the acquaintance begin? What brought the New Yorker to Provincetown? But Tilly and her mother kept their secret to themselves, and not a soul in Provincetown ever heard a word of the red stockings, which was much better for all parties concerned.

The wedding was to be on Christmasday. But two weeks before that day, there swept over Provincetown harbor a storm the like of which had not been seen for half a century. The steeple of the old church fell; the sea cut new paths for itself here and there among the low sand-dunes, and washed away landmarks older than men could remember; great ships parted anchor, and were driven helplessly on the rocks, and the light-house swayed and rocked like a mast in the tempest. In the middle of the night the storm burst with a sudden fury. At its first roar Captain 'Lisha sprang up, and said,

"Martha, this is going to be the devil's own night, I must go up into the light, I can't leave her alone such a storm's this." From the dwelling-house to the lighthouse tower was only a short distance; the rocks were shelving, but a stout iron railing protected the path on one side. Whether Captain 'Lisha failed to grasp this rail and slipped on the icy rocks, or whether he was swept off by the violence of the gale, could only be conjectured, but in the morning he did not come back. As soon as the storm had lulled a little, Mrs. Bennet crept cautiously across the slippery path-way, and climbed the winding stair to the light. In a short time she returned, with a white horror-stricken face, and in reply to Tilly's cry of alarm, gasped :

"Your father's gone!"

After the first shock of the death was over,

to Captain 'Lisha.

"It's just what he was forever a-sayin' he'd like, to be buried in the sea, and especially to be washed overboard; if I've heard him say so once, I've heard him a hundred times, and the Lord's took him at his word, and I don't believe there's a happier spirit anywhere than 'Lisha's is, wherever 'tis he's gone to."

In the Provincetown way of thinking, Captain 'Lisha's death was no reason why Tilly's marriage should be deferred, but rather why it should be hastened. It took place, as had been planned, on Christmasday.

The next day when Tilly and her mother bade everybody good-bye, and went away with Tilly's manly, tall, kindly-eyed husband, everybody said, "What a Providence!" and I make no manner of doubt that Joe and Tilly got on quite as well together, and were quite as happy as if they had known each other better and taken more time to consider the question of marrying.

It may not be foreign to our story to add that after Joe had been married a week he recollected to send to Miss Henrietta Larned, at the Menthaven Hospital, a newspaper containing the announcement of his marriage. When Netty read it, she exclaimed in a low voice:

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A GLIMPSE OF YOUTH.

MAIDEN, I thank thee for thy face,
Thy sweet, shy glance of conscious eyes;
For, from thy beauty and thy grace,
My life has won a glad surprise.

I met thee on the crowded street-
A load of care on heart and brain-
And, for a moment, bright and fleet,
The vision made me young again.

And then I thought, as on I went,
And struggled through the thronging ways,
How every age's complement

The age that follows overlays.

The youth upon the child shuts down;

Young manhood closes over youth;

And ripe old age is but the crown

That keeps them both in changeless truth!

So, every little child I see,
With brow and spirit undefiled,
And simple faith and frolic glee,
Finds still in me another child.

Toward every brave and careless boy
Whose lusty shout or call I hear,
The boy within me springs with joy
And rings an echo to his cheer!

What was it, when thy face I saw,
That moved my spirit like a breeze,
Responsive to the primal law
Of youth's entrancing harmonies ?

Ah! little maid-so sweet and shyBuilding each day thy fair romanceThou didst not dream a youth passed by, When I returned thee glance for glance!

For all my youth is still my own,—
Bound in the volume of my age,-
And breath from thee hath only blown
The leaves back to the golden page!

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Could they have given such a roar
As shakes the walls of this fearful place?
Ay, even the wild beasts crouch before

The sound, and tear me not, for a space-
'Tis but for a moment's space, no more.

Hadst thou not, Jesus, in the throng,

Some one to pity thee? Drew not nigh
One, one, who yearned for thee, and was strong
To look on thy face and help thee die?
Not one, to lessen that speechless wrong?

Thanks! thanks! dear Lord, who hast heard my call,
Who hast remembered me! Thanks for one
Whose true, brave hand at my feet lets fall

A rose! Could I look long years on the sun,
This precious rose would be worth them all!

O fierce ones, cease to gnash your fangs,
An instant, while I meet his look!
Though the beaten cymbal louder clangs,

Let me see the face of one that can brook,
For love, the sight of my body's pangs.

Oh, might I win, come life or death,
His soul to seek me in Paradise!
Ye dreadful creatures, I feel your breath,

I see the roll of your angry eyes;—
"Yea, though I walk," the Scripture saith,—

Ye shall not stir, till I clutch yon rose
And hold it against my dying heart!
Its one last prayer he sees-he knows.
Now, lions, hasten! fulfill your part!—
Before my closed eyes Heaven glows!

BIRDS AND BIRDS.

WHAT is that legend of Mrs. Piatt's poem about the bird in the brain ? Birds are perhaps the most human of creatures, and I should not be surprised if told we all carry more or less of them in our hearts and brains. I have seen the hawk looking out of the human face many a time, and I think I have seen the eagle; I credit those who say they have seen the owl. Are not the buzzards and unclean birds terribly suggestive? The song-birds were surely all brooded and hatched in the human heart. They are typical of its highest aspirations, and nearly the whole gamut of human passion and emotion is expressed more or less fully in

their varied songs. Among our own birds, there is the song of the hermit-thrush for devoutness and religious serenity, that of the wood-thrush for the musing, melodious thoughts of twilight, the song-sparrow's for simple faith and trust, the bobolink's for hilarity and glee, the mourning-dove's for hopeless sorrow, the vireo's for all-day and every-day contentment, and the nocturn of the mocking-bird for love. Then there are the plaintive singers, the soaring, ecstatic singers, the confident singers, the gushing and voluble singers, and the half-voiced, inarticulate singers. The note of the pewee is a human sigh, the piping of the chickadee unspeakable tenderness and fidelity. There

is pride in the song of the tanager, and vanity in that of the cat-bird. There is something distinctly human about the robin; his is the note of boyhood. I have thoughts that follow the migrating fowls northward and southward, and that go with the seabirds into the desert of the ocean, lonely and tireless as they. I sympathize with the watchful crow perched yonder on that tree, or walking about the fields. I hurry outdoors when I hear the clarion of the wild gander; his comrade in my heart sends back the call.

II.

HERE comes the cuckoo, the solitary, the joyless, enamored of the privacy of his own thoughts; when did he fly away out of this brain? The cuckoo is one of the famous birds, and is known the world over. He is mentioned in the Bible, and is discussed by Pliny and Aristotle. Jupiter himself once assumed the form of the cuckoo in order to take advantage of Juno's compassion for the

bird.

We have only a reduced and modified cuckoo in this country. Our bird is smaller, and is much more solitary and unsocial. Its color is totally different from the Old World bird, the latter being speckled, or a kind of dominick, while ours is of the finest cinnamon-brown or drab above, and bluishwhite beneath, with a gloss and richness of texture in the plumage that suggests silk. The bird has also mended its manners in this country, and no longer foists its eggs and young upon other birds, but builds a nest of its own and rears its own brood like other well-disposed birds.

The European cuckoo is evidently much more of a spring bird than ours is, much more a harbinger of the early season. He comes in April, while ours seldom appears before June, and hardly then appears. He is printed, as they say, but not published. Only the alert ones know he is here. This old English rhyme on the cuckoo does not apply this side the Atlantic:

"In April
Come he will,

In flow'ry May
He sings all day,
In leafy June

He changes his tune,
In bright July
He's ready to fly,
In August

Go he must."

Our bird must go in August too, but at no time does he sing all day. Indeed his pecu

liar guttural call has none of the character of a song. It is a solitary, hermit-like sound, as if the bird was alone in the world, and called upon the fates to witness his desolation. I have never seen two cuckoos together, and I have never heard their call answered; it goes forth into the solitudes unreclaimed. Like a true American, the bird lacks animal spirits and a genius for social intercourse. One August night I heard one calling, calling, a long time not far from my house. It was a true nightsound, more fitting then than by day.

The European cuckoo, on the other hand, seems to be a joyous, vivacious bird. Wordsworth applies to it the adjective "blithe," and says:

"I hear thee babbling to the vale
Of sunshine and of flowers.

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English writers all agree that its song is animated and pleasing, and the outcome of a light heart. Thomas Hardy, whose touches always seem true to nature, describes an early summer scene in one of his books from a cluster of trees in which "the loud notes of three cuckoos were resounding through the still air." This is totally unlike our bird, which does not sing in concert, but affects remote woods, and is most frequently heard in cloudy weather. Hence the name of rain-crow that is applied to him in some parts of the country. I am more than half inclined to believe that his call does indicate rain, as it is certain that of the tree-toad does.

The cuckoo has a slender, long-drawn-out appearance on account of the great length of tail. It is seldom seen about farms or near human habitations until the June cankerworm appears, when it makes frequent visits to the orchard. It loves hairy worms, and has eaten so many of them that its gizzard is lined with hair.

The European cuckoo builds no nest, but puts its eggs out to be hatched, as does our cow blackbird, and our cuckoo is master of only the mere rudiments of nest-building. No bird in the woods builds so shabby a nest; it is the merest make-shift,—a loose scaffolding of twigs through which the eggs can be seen. The past season, I knew of a pair that built within a few feet of a country house that stood in the midst of a grove, but a heavy storm of rain and wind broke up the nest.

If the Old World cuckoo had been as silent and retiring a bird as ours is, it could never have figured so conspicuously in litera

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