Collected Writings on PoetryCarcanet Press, 1995 - 560 pages The phases of his critical writing are distinct, linked by a serious creative intent and a remarkable eloquence. From the 1925 volume Poetic Unreason and Other Studies to his collaborative works with Laura Riding (not included here), to The Common Asphodel (1949) and other work, much of it hard to find, Graves's concerns and discoveries are often momentous. It is as though, almost single-handed through the harsh anti-Romantic years and into the decades of irony, he maintained and defended the lyric tradition, making it classical and viable against the tide. As advocate, polemicist and mythographer, he has exercised a constant influence on poets, readers and critics ill at ease with fashion, hungry for the traditions that underlie the merely conventional. |
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Page 57
... classical imagery , being the poet's children begotten of the Muse . He rejected traditional poetic psychology because the ecstasies it provided were banal and repetitious : not because he knew the nature of poetic experience , but ...
... classical imagery , being the poet's children begotten of the Muse . He rejected traditional poetic psychology because the ecstasies it provided were banal and repetitious : not because he knew the nature of poetic experience , but ...
Page 156
... Classical education , which meant that for several years I composed Latin verses once a week throughout term - time . Latin being a dead language , I could dissociate this classroom activity from the private writing of poems in my ...
... Classical education , which meant that for several years I composed Latin verses once a week throughout term - time . Latin being a dead language , I could dissociate this classroom activity from the private writing of poems in my ...
Page 254
... Classical allusions with the sack ; but apart from Hebe's cheek and a refer- ence at the end to Orpheus and Eurydice , ' L'Allegro ' might well have been written by any poetic bumpkin ( Shakespeare , poor fellow , for example – ' father ...
... Classical allusions with the sack ; but apart from Hebe's cheek and a refer- ence at the end to Orpheus and Eurydice , ' L'Allegro ' might well have been written by any poetic bumpkin ( Shakespeare , poor fellow , for example – ' father ...
Contents
Observations on Poetry 19221925 | 1 |
The Poetic Trance | 3 |
Prose and Poetry | 5 |
Copyright | |
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Aeneid ancient Apollo asphodel ballad báraka beauty Ben Jonson Blake borrowed called Catullus century Classical Coleridge colour contemporary critical dare dead death divine Dr Johnson emotional English poetry fashion father feel friends Graves Greek hand heart Heaven honour inspiration Juana Juana de Asbaje Keats King Latin Laura Riding lines literary live lovers magic means metre Milton modern moon moral Muse natural never night nightingale Omar Ali-Shah once original Ovid Oxford perhaps poem poet poet's poetic Pound prose published Queen readers rhyme Robert Graves Roman satire seems sense Shakespeare sing Skelton song sonnet sort soul stanza Suibne T.E. Lawrence T.S. Eliot thee thou thought tion tradition trance translation true Tyger verse Virgil W.H. Auden White Goddess woman women word Wordsworth write written wrote Yeats young