Fugitive Poses: Native American Indian Scenes of Absence and PresenceUniversity of Nebraska Press, 1998 - 238 pages "Gerald Vizenor demonstrates once more how and why he is at the absolute forefront of American writers and critical thinkers. The essays offered here gather past, present, and future into brilliantly disturbing ways of understanding how we articulate our selves and our worlds as Native Americans, postindians, indigenous peoples, human beings. Simply put, Fugitive Poses underscores the ever more evident fact that Anishinaabe writer Gerald Vizenor has no equal in American critical writing."-Louis Owens. "A puzzle and a provocation, a burr under the seat of the imagination, Fugitive Poses is challenging new work from an American Daedalus very much alive."-Arnold Krupat. "Fugitive Poses is suffused with wide-ranging intellectual energy. It journeys in revelatory ways into social and literary history. . . . Vizenor has written a number of excellent books. This is one of his very best." -Brian Swann. Native peoples today are best known to others, and often to themselves, through their fugitive poses: textual and graphic depictions preserved by scholarship, consumed by the dominant culture, and steeped in a modernist aesthetic of romantic victimry, tragedy, and nostalgia. Because such representations do not easily convey the immediacy and distinctiveness of Native cultures, they effectively celebrate the absence rather than the presence of the Native. The fugitive poses captured in photographs, portraits, translations, official documents, New Age stories, blood-quantum counts, captivity narratives, and museum objects simulate Native peoples rather than reveal them. Native sovereignty, Gerald Vizenor contends, is not possessed but expressed. It emerges not from practicing vengeful andexclusionary policies and politics, or by simple recourse to territoriality, but by turning to Native transmotion, the forces and processes of creativity and imagination lying at the heart of Native world-views and actions. Overturning long-held scholarly and popular assumptions, Vizenor offers a vigorous examination of tragic cultures and victimry. Gerald Vizenor is a professor of Native American literature at the University of California, Berkeley. He is the author of more than twenty books, including the American Book Award winner Griever: An American Monkey King in China. |
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... Studies program , the Center for Great Plains Studies , the College of Arts and Sciences , the Athletic Department , and the Department of Anthropology at the University of Nebraska - Lincoln . Library of Congress Cataloging in ...
... Studies program , the Center for Great Plains Studies , the College of Arts and Sciences , the Athletic Department , and the Department of Anthropology at the University of Nebraska - Lincoln . Library of Congress Cataloging in ...
Page 50
... studies of indian victimry . " There is no archive without a place of consignation , without a technique of repetition , and without a certain exteriority , ” asserts Jacques Derrida in Archive Fever . Moreover , “ every archive ...
... studies of indian victimry . " There is no archive without a place of consignation , without a technique of repetition , and without a certain exteriority , ” asserts Jacques Derrida in Archive Fever . Moreover , “ every archive ...
Page 207
... studies on anishinaabe spoken on Walpole Island , Ontario . " When both actor and object are animate third persons , one of the two is obviative . There is at least one form where both actor and object are obviative : waùpemaùnit ' if ...
... studies on anishinaabe spoken on Walpole Island , Ontario . " When both actor and object are animate third persons , one of the two is obviative . There is at least one form where both actor and object are obviative : waùpemaùnit ' if ...
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Fugitive Poses: Native American Indian Scenes of Absence and Presence Gerald Robert Vizenor No preview available - 2000 |
Common terms and phrases
absence absence of natives action actual aesthetic American animals anishinaabe artists autobiography bear become cause century chance character Chicago civilization common connections consciousness considered constitutional conversions course created creation cultural discoveries documents dominance earth essay evidence experience eyes federal fugitive hand histories human identities indian instance interimage ironic John knowledge land language later laws literary literature lived Long manners means measures memories metaphor mind motion narratives native presence native stories natural reason never notes novel object observes once original painted past person photographs points political poses practices Press published reality referent relation René Girard representations reservation resistance savagism sciences sense separation silence simulations social sources sovereignty studies survivance tease territory theories things totemic trace traditions tragic translation transmotion treaties tribe trickster true turn United Univ University varionative victimry visions writes wrote York