Godiva's Ride: Women of Letters in England, 1830--1880

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Indiana University Press, 1993 M09 22 - 181 pages

"Students and teachers of Victorian women's careers will be grateful for [Mermin's] intelligent and equable guidance as they negotiate the paradoxes of Godiva's Ride." -- Modern Philology

"This brief study should be enormously helpful to students seeking an introduction to feminist approaches to Victorian writers." -- Choice

"Mermin's fine book is a work of synthesis that moves across many genres of women's writing... and touches on neglected writers of the period... as well as on the canonized few." -- American Historical Review

"Godiva's Ride is a stimulating and enjoyable study of an exceptionally rich subject... " -- Victorian Periodicals Review

"Accessible, original, and gracefully written, Godiva's Ride is likely to be as engrossing for the general reader as for the expert." -- Victorian Studies

Describes the first great age of women's writing in England. Mermin discusses how women were encouraged to become writers, how they were discouraged and hindered, and what they wrote. The many women entering the mainstream of English literature in this era included the Brontës, Elizabeth Gaskell, George Eliot, Margaret Oliphant, Elizabeth Barrett Browning, Christina Rossetti, and Harriet Martineau.

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Contents

Entering the Literary Market
3
Bibliography
147
Conclusion
162
141
175
Copyright

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Page 133 - That man, I think, has had a liberal education who has been so trained in youth that his body is the ready servant of his will, and does with ease and pleasure all the work that, as a mechanism, it is capable of; whose intellect is a clear, cold, logic engine, with all its parts of equal strength, and in smooth working order; ready, like a steam engine, to be turned to any kind of work, and spin the gossamers as well as forge the anchors of the mind...
Page 69 - WHEN I am dead, my dearest, Sing no sad songs for me ; Plant thou no roses at my head, Nor shady cypress tree : Be the green grass above me With showers and dewdrops wet ; And if thou wilt, remember, And if thou wilt, forget. I shall not see the shadows, I shall not feel the rain ; I shall not hear the nightingale Sing on, as if in pain ; And dreaming through the twilight That doth not rise nor set, Haply I may remember, And haply may forget.
Page 63 - But, first, a hush of peace — a soundless calm descends ; The struggle of distress, and fierce impatience ends ; Mute music soothes my breast — unuttered harmony, That I could never dream, till Earth was lost to me.
Page 107 - Let your women keep silence in the churches : for it is not permitted unto them to speak; but they are commanded to be under obedience, as also saith the law.
Page 36 - Your pier-glass or extensive surface of polished steel, made to be rubbed by a housemaid, will be minutely and multitudinously scratched in all directions ; but place now against it a lighted candle as a centre of illumination, and lo ! the scratches will seem to arrange themselves in a fine series of concentric circles round that little sun.
Page 118 - But I suffer not a woman to teach, nor to usurp authority over the man, but to be in silence.
Page 64 - Too late for love, too late for joy, Too late, too late! You loitered on the road too long, You trifled at the gate: The enchanted dove upon her branch Died without a mate; The enchanted princess in her tower Slept, died, behind the grate; Her heart was starving all this while You made it wait.
Page 65 - To bear a gift for mortals, old or young: And, as I mused it in his antique tongue, I saw, in gradual vision through my tears, The sweet, sad years, the melancholy years, Those of my own life, who by turns had flung A shadow across me. Straightway I was 'ware...
Page 15 - Literature cannot be the business of a woman's life, and it ought not to be. The more she is engaged in her proper duties, the less leisure will she have for it, even as an accomplishment and a recreation.

About the author (1993)

DOROTHY MERMIN, Professor of English at Cornell University, is the author of Elizabeth Barrett Browning: The Origins of a New Poetry and The Audience in the Poem: Five Victorian Poets.

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