The Yale Literary Magazine, Volume 133, Issue 6Yale Literary Society, 1965 |
From inside the book
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Page 13
... color - full or monochrome -versus black and white . It is pretense to assume a film could ever faithfully duplicate the subjective experience of color- just try to catch yourself experiencing a familiar situation in any but its ...
... color - full or monochrome -versus black and white . It is pretense to assume a film could ever faithfully duplicate the subjective experience of color- just try to catch yourself experiencing a familiar situation in any but its ...
Page 14
... color shot of leaves reflected in large windows , plate glass distorting images into bursts of foliage . Zoom repeated several times on different exploding images of leaves . Trumpet or cornet phrases replace drums . Last zoom holds ...
... color shot of leaves reflected in large windows , plate glass distorting images into bursts of foliage . Zoom repeated several times on different exploding images of leaves . Trumpet or cornet phrases replace drums . Last zoom holds ...
Page 18
... color since the da Vinci portrait was flashed on the screen , but the sole source of light is reflected from the yellow projection , so that the difference in color value is not remarkable . ) There is a curious look on Katchen's face ...
... color since the da Vinci portrait was flashed on the screen , but the sole source of light is reflected from the yellow projection , so that the difference in color value is not remarkable . ) There is a curious look on Katchen's face ...
Contents
THE SEA GULLS Roy Sussman | 3 |
THE PHYSICIAN William R Freeman | 21 |
NOTES ON CONTRIBUTORS | 34 |
Copyright | |
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Ames arms began beside bird black and white body cage camera Candy chair close-up color continues Cooper covered dark deep desk detail door empty Experiment eyes face father feel feet felt foot front GIRL gulls hand hard head hear hill holding hooks impression inside Judy Kieffer kitchen leaned leaving legs light lines look mind move neck never night notes object once passed past Peter pulled pushed quick reached rested returned road rock rolling round Sammy sand scene screen seemed sheep short shot shoulder side silence slowly smooth snow sound stand stepped stood straight Street tall thought thousand Townsend Translated trees truck trying turned voice Volume walked wall watched whole window