treasures of sugar plums, white and crimson and yellow, in large glass vases; and candy of all varieties; and those little cockles, or whatever they are called, much prized by children for their sweetness, and more for the mottoes which they inclose by love-sick maids and bachelors !

Oh! my mouth waters, little Annie, and so doth yours; but we will not be tempted except to an imaginary feast; so let us hasten onward, devouring the vision of a plum cake.

.

Here are pleasures, as some people would say, of a more exalted kind, in the window of a bookseller. Is Annie a literary lady? Yes; she is deeply read in Peter Parley's tomes, and has an increasing love for fairy tales, though seldom met with nowadays, and she will subscribe, next year, to the Juvenile Miscellany. But, truth to tell, she is apt to turn away from a printed page and keep gazing at the pretty pictures, such as the gay-colored ones which make this shop window the continual loitering place of children. What would Annie think if, in the book which I mean to send her on New Year's Day, she should find her sweet little self bound up in silk or morocco with gilt edges, there to remain till she become a woman grown, with children of her own to read about their mother's childhood! That would be very queer.

II.

Little Annie is weary of pictures and pulls me onward by the hand, till suddenly we pause at the most wondrous shop in all the town. Oh, my stars! Oh, my stars! Is this a toy shop, or is it fairyland? For here are gilded chariots in which the king and queen of the fairies might ride side by side, while their courtiers, on these small horses, should gallop

in triumphal procession before and behind the royal pair. Here, too, are dishes of chinaware fit to be the dining set of those same princely personages when they make a regal banquet in the stateliest hall of their palace, full five feet high, and behold their nobles feasting adown the long perspective of the table. Betwixt the king and queen should sit my little Annie, the prettiest fairy of them all.

Here stands a turbaned Turk, threatening us with his saber, like an ugly heathen as he is. And next a Chinese mandarin, who nods his head at Annie and myself. Here we may review a whole army of horse and foot, in red and blue uniforms, with drums, fifes, trumpets, and all kinds of noiseless music; they have halted on the shelf of this window after their weary march from Lilliput.

But what cares Annie for soldiers? No conquering queen is she, neither a Semiramis nor a Catharine; her whole heart is set upon that doll who gazes at us with such a fashionable stare. This is the little girl's true plaything. Though made of wood, a doll is a visionary and ethereal personage, endowed by childish fancy with a peculiar life; the mimic lady is a heroine of romance, an actor and a sufferer in a thousand shadowy scenes, the chief inhabitant of that wild world with which children ape the real one.

Little Annie does not understand what I am saying, but looks wishfully at the proud lady in the window. We will invite her home with us as we return. Meantime, good-by, Dame Doll! A toy yourself, you look forth from your window upon many ladies that are also toys, though they walk and speak, and upon a crowd in pursuit of toys, though they wear grave visages. Oh, had you but an intellect to moralize on all that flits

before you, what a wise doll you would be! Come, little Annie, we shall find toys enough, go where we may.

III.

Now we elbow our way among the throng again. It is curious, in the most crowded part of a town, to meet with living creatures that had their birthplace in some far solitude, but have acquired a second nature in the wilderness of men. Look up, Annie, at that canary bird hanging out of the window in his cage. Poor little fellow! His golden feathers are all tarnished in this smoky sunshine; he would have glistened twice as brightly among the summer islands; but still he has become a citizen in all his tastes and habits, and would not sing half so well without the uproar that drowns his music. What a pity that he does not know how miserable he is!

There is a parrot, too, calling out, "Pretty Poll! Pretty Poll!" as we pass by. Foolish bird, to be talking about her prettiness to strangers, especially as she is not a pretty Poll, though gaudily dressed in green and yellow. If she had said "pretty Annie," there would have been some sense in it.

See that gray squirrel, at the door of the fruit shop, whirling round and round so merrily within his wire wheel. Being condemned to the tread mill, he makes it an amusement. Admirable philosophy!

Here comes a big, rough dog, a countryman's dog in search of his master, smelling at everybody's heels, and touching little Annie's hand with his cold nose, but hurrying away, though she would fain have patted him. Success to your search, Fidelity! And there sits a great yellow cat upon a window-sill, a very corpulent and

comfortable cat, gazing at this transitory world with owl's eyes, and making pithy comments, doubtless, or what appear such, to the silly beast. Oh, sage puss, make room for me beside you, and we will be a pair of philosophers!

Here we see something to remind us of the town-crier and his ding-dong bell! Look! look at that great cloth spread out in the air, pictured all over with wild beasts, as if they had met together to choose a king, according to their custom in the days of Esop. But they are choosing neither a king nor a president; else we should hear a most horrible snarling. They have come from the deep woods, and the wild mountains, and the desert sands, and the polar snows, only to do homage to my little Annie.

As we enter among them, the great elephant makes us a bow, in the best style of elephantine courtesy, bending lowly down his mountain bulk, with trunk abased and leg thrust out behind. Annie returns the salute, much to the gratification of the elephant, who is certainly the best bred monster in the caravan. The lion and the lioness are busy with two beef bones. The royal tiger keeps pacing his narrow cage with a haughty step, unmindful of the spectators, or recalling the fierce deeds of his former life, when he was wont to leap forth upon such inferior animals from the jungles of Bengal.

Here we see the very same wolf - do not go near him, Annie! the self-same wolf that devoured little Red Riding Hood and her grandmother. In the next cage, a hyena from Egypt, who has doubtless howled around the pyramids, and a black bear from our own forests are fellow-prisoners, and most excellent friends. Are there any

two living creatures who have so few sympathies that they cannot possibly be friends?

Here sits a great white bear whom common observers would call a very stupid beast, though I perceive him to be only absorbed in contemplation; he is thinking of his voyages on an iceberg, and of his comfortable home in the vicinity of the north pole, and of the little cubs whom he left rolling in the eternal snows. In fact, he is a bear of sentiment. But, oh, those unsentimental monkeys! the ugly, grinning, aping, chattering, ill-natured, mischievous, and queer little brutes.

Annie does not love the monkeys. Their ugliness shocks her pure, instinctive delicacy of taste, and makes her mind unquiet because it bears a wild and dark resemblance to humanity. But here is a little pony, just big enough for Annie to ride, and round and round he gallops in a circle, keeping time with his trampling hoofs to a band of music. And here, with a laced coat and a cocked hat and a riding whip in his hand, comes a little gentleman small enough to be king of the fairies, and takes a flying leap into the saddle. Merrily, merrily plays the music, and merrily gallops the pony, and merrily rides the little old gentleman.

IV.

Come, Annie, into the street again; perchance we may see monkeys on horseback there!

Mercy on us, what a noisy world we quiet people live in ! Did Annie ever read the cries of London city? With what lusty lungs doth yonder man proclaim that his wheelbarrow is full of lobsters! Here comes another mounted on a cart, and blowing a hoarse and dreadful