Modern Tragedy

absolute abstract active actual alienation Anna Anna Karenina aspiration become beliefs bourgeois bourgeois tragedy breakdown Brecht Caligula Camus century character characteristic Chekhov common conflict connection consciousness continuing critical culture death desire destroyed destructive disorder dramatic embodied emphasis essential ESTRAGON ethical evil fact false consciousness fate generalised Greek guilt Hegel human Ibsen idea of tragedy ideology illusion important individual inevitably interpretation isolated Karenin kind Lawrence liberal tragedy limited live meaning mediaeval merely metaphysical Meursault modern tragedy Monk's Tale moral movement myth nature Neo-classicism novel ordinary particular pattern pity play realised reality recognition rejection relation relationships response revolutionary rhythm Romantic Romanticism sacrifice seems seen sense significant simply social Strindberg structure of feeling struggle suffering Tennessee Williams tension theory Threepenny Opera tion Tolstoy total condition tradition tragic action tragic experience tragic hero Vronsky whole action Women in Love