The Yale Literary Magazine, Volume 95, Issue 2Yale Literary Society, 1931 |
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Page 6
... colors of European landscapes show that the artist is not afraid to treat large skies and do so effectively . To the casual eye the landscapes seem slightly over - crowded , jumbled . But that is the literary eye . The literary bias ...
... colors of European landscapes show that the artist is not afraid to treat large skies and do so effectively . To the casual eye the landscapes seem slightly over - crowded , jumbled . But that is the literary eye . The literary bias ...
Page 7
... color painting . I sound patron- izing . I am not . His contribution is original and distinguished . Unquestionably Mr. Page Cross is the most sensitive of the water colorists . His taste in color is exquisite . Six landscapes ...
... color painting . I sound patron- izing . I am not . His contribution is original and distinguished . Unquestionably Mr. Page Cross is the most sensitive of the water colorists . His taste in color is exquisite . Six landscapes ...
Page 40
... color having only the vaguest and most arbitrary connection , by indulging a flair for mor- dant light verse and for irrepressible satire on people and so- ciety , he constructs a medium which tickles his ironic appre- ciation of all ...
... color having only the vaguest and most arbitrary connection , by indulging a flair for mor- dant light verse and for irrepressible satire on people and so- ciety , he constructs a medium which tickles his ironic appre- ciation of all ...
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1056 CHAPEL STREET 1932 Water Color aestheticism American artist asked Auslander BROADWAY New Haven Bryant's charm Christmas Gifts clothes Conn course criticism CUSTOM TAILORING dinner dogma DOUGLAS MCKEE emotion England English escape EUGENE KINGMAN excellence exile FITZHUGH SCOTT Galsworthy glad Good-bye Hello Henry James Henry Miller Illustrated interest John Galsworthy knew landscapes LANGROCK lectures literary bias literature looked Maid in Waiting Manor MAYNARD MACK medium Miss Porter Miss Quintard modern never personality plays poem poet poetic poetry PORTRAIT Pruden rode Romanticism scene significance sincerity stop story STREET New Haven student suddenly T. S. Eliot Telephone thank things Thornton Wilder thought undergraduate Vassos verse VINTON LINDLEY vital volume Walpole wanted Waste Land water-color waved her crop William Lyon Phelps wrong YALE COLLEGE Yale University York City York Stock Exchange YORK STREET young instructor وو