The Yale Literary Magazine, Volume 95, Issue 2Yale Literary Society, 1931 |
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Page 39
... poetry , like any set of arbitrary poetic restrictions , is foredoomed to drastic self - destruction . Although in his hands it is often an instrument of power because he can transcend its rigidity , its further career can lead only to ...
... poetry , like any set of arbitrary poetic restrictions , is foredoomed to drastic self - destruction . Although in his hands it is often an instrument of power because he can transcend its rigidity , its further career can lead only to ...
Page 41
... poetry requires the rigor of concep- tion which only a thorough philosophy of literature can im- pose . Eliot is a tremendous influence upon modern poetry pre- cisely because , as Edmund Wilson concludes , in his brilliant Axel's Castle ...
... poetry requires the rigor of concep- tion which only a thorough philosophy of literature can im- pose . Eliot is a tremendous influence upon modern poetry pre- cisely because , as Edmund Wilson concludes , in his brilliant Axel's Castle ...
Page 42
... poet prematurely tired , whose life has lost the significance of vital contacts , the hope and promise of living ... poetry and the literature it is crystallizing that its most basic aspiration is the negative one of escape . Eliot's ...
... poet prematurely tired , whose life has lost the significance of vital contacts , the hope and promise of living ... poetry and the literature it is crystallizing that its most basic aspiration is the negative one of escape . Eliot's ...
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1056 CHAPEL STREET 1932 Water Color aestheticism American artist asked Auslander AVENUE New York BROADWAY New Haven Bryant's charm Christmas Gifts clothes Conn course criticism CUSTOM TAILORING dinner dogma DOUGLAS MCKEE emotion England English escape EUGENE KINGMAN excellence exile FITZHUGH SCOTT Galsworthy glad Good-bye Hello Henry James Henry Miller Illustrated interest John Galsworthy knew landscapes LANGROCK lectures light literary bias literature looked Maid in Waiting Manor MAYNARD MACK medium Miss Porter Miss Quintard modern never personality plays poem poet poetic poetry PORTRAIT Pruden rode Romanticism scene significance sincerity stop story STREET New Haven student suddenly T. S. Eliot Telephone thank things Thornton Wilder thought undergraduate Vassos verse VINTON LINDLEY vital volume Walpole wanted Waste Land water-color waved her crop William Lyon Phelps wrong YALE COLLEGE Yale University York City York Stock Exchange YORK STREET young instructor