The North-American Review and Miscellaneous Journal, Volume 4Jared Sparks, Edward Everett, James Russell Lowell, Henry Cabot Lodge Wells and Lilly., 1965 Vols. 277-230, no. 2 include Stuff and nonsense, v. 5-6, no. 8, Jan. 1929-Aug. 1930. |
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Page 25
... concord called a 4th , and an interval between them of that name : its ratio with C is of course 4-3 . The ... concords , instead of discords as they * By this is meant , that possibly musicians of the present day , they had to ...
... concord called a 4th , and an interval between them of that name : its ratio with C is of course 4-3 . The ... concords , instead of discords as they * By this is meant , that possibly musicians of the present day , they had to ...
Page 28
... concords are before stated . Let us now take a view of the various concords , which form harmony when sounding together , or melody when in succes- sion , that we can command rising from each note in the scale , when rigidly tuned ...
... concords are before stated . Let us now take a view of the various concords , which form harmony when sounding together , or melody when in succes- sion , that we can command rising from each note in the scale , when rigidly tuned ...
Page 29
... concords , before enumerated , start ing from each note , or from either of the flats or sharps themselves , which however we sometimes could not do without their aid ; from C , for instance , we get the 3d minor with D sharp , the 6th ...
... concords , before enumerated , start ing from each note , or from either of the flats or sharps themselves , which however we sometimes could not do without their aid ; from C , for instance , we get the 3d minor with D sharp , the 6th ...
Contents
Adams President letter from | 48 |
A Reflection | 111 |
Childe Harold third canto | 205 |
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