An author is supposed to know everything about his characters; but I cannot tell why Daisy placed Mortimer's poet in such an uncomfortable position, unless she thought that the blood might run into the head of Mr. Theocritus, and cause him to be taken off with a brain fever!

"And you, Mr. Byron," Daisy continued, "you're a very wicked young fellow! and I won't let you sit next to Mrs. Hemans!" so she placed Plutarch between them. "But you and Shelly," Daisy said, resting her hand on Keats, "you are different sort of persons; you are too earnest and beautiful to be impure; and you shall sit side by side between L. E. L. and our own Alice Cary. And Chatterton! poor boy Chatterton!" I'll place you in that shadowy corner of the book-case, where the sunshine never comes!"

So Daisy made merry or sad, as the case might be, over her lover's few volumes; and when she had arranged them to suit her capricious self, she kissed her hand to Tom Hood, and locked them all-poets, romancers, and historians-in the black, sombre old book-case.

Our friend Daisy was in one of those playful, half-childish moods, which came upon her not unfrequently.

Now she looked around the room for some other

piece of useful mischief to do. She would turn over Mortimer's papers. Ah, what made her blush and laugh so prettily then? It was only a sheet of note-paper, on which Mortimer, in a dreamy moment, had written her name innumerable times--for know, good world, that true love takes the silliest ways to express itself.

Now she was curious.

She stood thoughtfully, with a small morocco case in her hand. The reader has seen it once in Flint's office. An undefined feeling stole over her; and it was some time before she thought of opening the case. She did so, however, and took from it a pearl necklace of rare design and workmanship. The necklace was in three parts, linked together by exquisitely carved clasps, from the largest of which hung a

composed of smaller and more costly pearls. "How beautiful!" and she grew more thoughtful. Something within her recognized the jewels. It was

not her sight, it was not her touch, but an intuitive something which is finer and subtler than either. "I have seen this somewhere-somewhere," she said; "but where ?"

And she closed her eyes, as if the sunlight blinded some timid memory that was stealing through her brain. Her fancy painted pictures of strange places and things. Now she saw a country-house, among cool, quiet trees; then a man dying--some one she loved--but who? Now she was in a large city, and heard the rumbling of wheels and confused voices. Now the snow was coming down, flake after flake, and everything was white; then it was nightdark, stormy, and dreadful-and she was cold, bitter cold! Some one had left her in the white, clinging snow, and she was freezing!

Daisy opened her eyes. The snow and wind were gone, and April's sunny breath blew shadows through the open window. The house, the death, the storm --how were they connected with the string of pearls? And Daisy held the necklace on her finger-tips and wondered.

"Somewhere, somewhere-but where ?"

Daisy could not tell where.

"I may have seen one like it," Daisy thought. Perhaps this was Bell's, and these stones may

have rested many a time on her little neck. I wish I had known Bell !"

With this she placed the necklace in the case again, and tears gathered in her eyes, she knew not why.

"Tears, idle tears, I know not what they mean."

She laid the box in the place where she had found it, and thought she would not speak to Mortimer of the necklace; he might be displeased to have her touch it.

Her gaiety had given place to sadness, and when she knelt by Mortimer's chair she could not help sobbing. Mortimer awoke and bent over her.

"What, weeping, Daisy ?"