Colby Quarterly, Volume 34Colby College, 1998 |
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Page 117
... figure , she must have been surprised and likely troubled by these developments , having now to fear his and her own desire for a female : she has to fear her own vulnerability to seduction , a prospect which impels her all the more ...
... figure , she must have been surprised and likely troubled by these developments , having now to fear his and her own desire for a female : she has to fear her own vulnerability to seduction , a prospect which impels her all the more ...
Page 177
... ( Figure 1 ) . Where representation is absent , decoration is inescapably present . In a visual collision of two worlds , some covers sport both the stamped design from the earlier period and the dyed- in design of the later . Even the ...
... ( Figure 1 ) . Where representation is absent , decoration is inescapably present . In a visual collision of two worlds , some covers sport both the stamped design from the earlier period and the dyed- in design of the later . Even the ...
Page 180
... Figure 3 ) . Even the more " decorative " covers are effectively minimalist . The motifs are clear and few . Repeated bamboo stalks , strong ver- ticals against which the leaves produce the effect of light receding to dark . The whole ...
... Figure 3 ) . Even the more " decorative " covers are effectively minimalist . The motifs are clear and few . Repeated bamboo stalks , strong ver- ticals against which the leaves produce the effect of light receding to dark . The whole ...
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allusion androgyny Anna Prince Annie Annie Adams Fields Ash Wednesday beauty black women Blake Blake's Boston Bruce Cary characters Colby Colby College collage context conventional Country Doctor covers Critical cultural daughter Deephaven divine goal domestic Eliot Elly England Essays experience father female feminine feminist figure Folly Island Freeman's gender George Gerry Gerry girl grandmother Harper Horatia imagination Jack Prince King of Folly Lady Ferry Leslie literary literature lives lover male marriage marry Martha Mary maternal Miss Sydney mother Nan's narrative narrator nineteenth-century novel Old Friends patriarchal poem poetry Pointed Firs protagonist Quarterly reader realism relationship role romance Sarah Orne Jewett Science sense silence story suggests Sylvia T.S. Eliot tells things tion tradition turn unwritable vision voice White Heron white women Whitman Wilkins Wilkins Freeman William Blake William Dean Howells Wollstonecraft's woman Womanhood women writers words York young