Colby Quarterly, Volume 34Colby College, 1998 |
From inside the book
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Page 129
... present to us in the observations she makes about her surroundings ; in other words , she is present more as the writer of that story , and less as a charac- ter in her own right . In fact , this character becomes most alive to us ...
... present to us in the observations she makes about her surroundings ; in other words , she is present more as the writer of that story , and less as a charac- ter in her own right . In fact , this character becomes most alive to us ...
Page 158
... present in Deephaven's Brandon house have begun to materialize here with the descendants of flowers - a feminine ... presents the narrative in bits and pieces , a strategy that mirrors Nelly's attempt to reconstruct Horatia's " history ...
... present in Deephaven's Brandon house have begun to materialize here with the descendants of flowers - a feminine ... presents the narrative in bits and pieces , a strategy that mirrors Nelly's attempt to reconstruct Horatia's " history ...
Page 174
... present of its own making . There we were - my mother , my father , my sister and I - tenaciously rooted in New Mexico soil , or so it seemed to me , like the ubiquitous Bermuda grass my mother had planted in plugs during the last ...
... present of its own making . There we were - my mother , my father , my sister and I - tenaciously rooted in New Mexico soil , or so it seemed to me , like the ubiquitous Bermuda grass my mother had planted in plugs during the last ...
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allusion androgyny Anna Prince Annie Annie Adams Fields Ash Wednesday beauty black women Blake Blake's Boston Bruce Cary characters Colby Colby College collage context conventional Country Doctor covers Critical cultural daughter Deephaven divine goal domestic Eliot Elly England Essays experience father female feminine feminist figure Folly Island Freeman's gender George Gerry Gerry girl grandmother Harper Horatia imagination Jack Prince King of Folly Lady Ferry Leslie literary literature lives lover male marriage marry Martha Mary maternal Miss Sydney mother Nan's narrative narrator nineteenth-century novel Old Friends patriarchal poem poetry Pointed Firs protagonist Quarterly reader realism relationship role romance Sarah Orne Jewett Science sense silence story suggests Sylvia T.S. Eliot tells things tion tradition turn unwritable vision voice White Heron white women Whitman Wilkins Wilkins Freeman William Blake William Dean Howells Wollstonecraft's woman Womanhood women writers words York young