Colby Quarterly, Volume 34Colby College, 1998 |
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Page 135
... reader and the characters , “ shifting the center of perception " ( Fetterley and Pryse xvii - xviii ) . The notion of “ empathic style ” that Marcia McClintock Folsom raised in 1982 is central to the reader's involvement in the text ...
... reader and the characters , “ shifting the center of perception " ( Fetterley and Pryse xvii - xviii ) . The notion of “ empathic style ” that Marcia McClintock Folsom raised in 1982 is central to the reader's involvement in the text ...
Page 136
... reader have a " part in the conversation " ( Letters [ Cary ] 21 ) of the story , and a dialogic quality in Jewett's fiction is apparent , a negotiation between writer / reader dramatized by her inscriptions of the reader in the text . The ...
... reader have a " part in the conversation " ( Letters [ Cary ] 21 ) of the story , and a dialogic quality in Jewett's fiction is apparent , a negotiation between writer / reader dramatized by her inscriptions of the reader in the text . The ...
Page 145
... reader who has no referent for such experience . The narrator claims to write " for those who have a Dunnet Landing of their own : who either kindly share this with the writer or possess another , " yet even with a receptive audience ...
... reader who has no referent for such experience . The narrator claims to write " for those who have a Dunnet Landing of their own : who either kindly share this with the writer or possess another , " yet even with a receptive audience ...
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allusion androgyny Anna Prince Annie Annie Adams Fields Ash Wednesday beauty black women Blake Blake's Boston Bruce Cary characters Colby Colby College collage context conventional Country Doctor covers Critical cultural daughter Deephaven divine goal domestic Eliot Elly England Essays experience father female feminine feminist figure Folly Island Freeman's gender George Gerry Gerry girl grandmother Harper Horatia imagination Jack Prince King of Folly Lady Ferry Leslie literary literature lives lover male marriage marry Martha Mary maternal Miss Sydney mother Nan's narrative narrator nineteenth-century novel Old Friends patriarchal poem poetry Pointed Firs protagonist Quarterly reader realism relationship role romance Sarah Orne Jewett Science sense silence story suggests Sylvia T.S. Eliot tells things tion tradition turn unwritable vision voice White Heron white women Whitman Wilkins Wilkins Freeman William Blake William Dean Howells Wollstonecraft's woman Womanhood women writers words York young