The Nature of Copyright: A Law of Users' Rights

Front Cover
University of Georgia Press, 1991 M01 1 - 274 pages
This forthright and provocative book offers a new perspective on copyright law and the legal rights of individuals to use copyrighted materials. Most Americans believe that the primary purpose of copyright is to protect authors against the theft of their property. They are wrong, say L. Ray Patterson and Stanley W. Lindberg. Guaranteeing certain rights to authors (and to the entrepreneurs who publish and market their creations) is only an incidental function of copyright; it exists ultimately for the public’s benefit. The constitutionally ordained purpose of copyright, the authors remind us, is to promote the public welfare by the advancement of knowledge. In The Nature of Copyright they present an extended analysis of the fair-use doctrine and articulate a new concept that they demonstrate is implicit in copyright law: the rule of personal use.

Viewing copyright in a historical context, Patterson and Lindberg show how its original purposes--to prevent both the monopoly of the book trade and the official censorship of writings--have been lost largely as a result of uninformed jurisprudence. Contributing to the problem have been special-interest groups that have circulated official-looking but misleading copyright “guidelines” for copyright users, librarians, and others. According to the authors, the claims in these intimidating guidelines, such as copying restrictions based on specific word counts, are not legally binding and indeed are often groundless. If the current trend to give publishers and other vested interests even wider protection under copyright continues, warn Patterson and Lindberg, knowledge could become a private commodity to which access is tightly controlled.

The authors also address the effect of recent court rulings in such cases as [J.D.] Salinger v. Random House, Inc., and New Era Pub. Int. v. Henry Holt & Co. (the L. Ron Hubbard biography case). Severely hampering the work of biographers and historians, these controversial rulings appear to have increased the protection of unpublished materials under copyright.

Although copyright as a concept has existed for 450 years, The Nature of Copyright represents the first significant, in-depth examination of its basic philosophical premises. The authors’ ideas and opinions, certain to be viewed as controversial, have implications not just for the print media but for all areas of mass communication and entertainment, from television to music. By focusing on the basic policies and principles of copyright, rather than on case precedents, the authors present a strong argument for preserving the integrity of copyright law and the free flow of information and ideas.

From inside the book

Contents

A Publishers Right
19
An Authors Right? 32 co co
33
Policies 47
47
The Nature of Copyright
109
Copyright and FreeSpeech Rights
123
The Role of Fictions and Fallacies in Copyright Law
134
The Scope of the Right to Copy
146
Moral Rights
163
Monopoly Rights
177
Personal Use
191
The Future of American Copyright
225
Notes
243
Index
265
Copyright

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About the author (1991)

L. RAY PATTERSON (1929-2003) was a widely consulted and cited authority on copyright law and history. He was the Pope F. Brock Professor of Professional Responsibility at the University of Georgia School of Law, and a former Dean of the Emory University Law School. The American Library Association's L. Ray Patterson Copyright Award was established in his honor, and first given out in 2005. STANLEY W. LINDBERG (1939-2000) served as editor of the Georgia Review from 1977 until his death. He is credited with transforming the magazine from a regional quarterly into the publication that now regularly attracts work by some of the literary world's most renowned figures and most promising newcomers. Among his many honors, Lindberg received the first Governor's Award in the Humanities in 1986.

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