Just So Stories

Front Cover
Doubleday Page & Company, 1907 - 249 pages

First published in 1902, "Just So Stories" is Rudyard Kipling's classic collection of animal fables and poetry. This collection grew out of nighttime story-telling between Rudyard and his daughter Josephine. The peculiar name is drawn from her insistence that these tales, which were origin stories describing how animals got their most distinctive features, be told "just so". This volume reproduces the complete edition of "Just So Stories" which includes the following stories: "How The Whale Got His Throat", "How The Camel Got His Hump", "How The Rhinoceros Got His Skin", "How The Leopard Got His Spots", "The Elephant's Child", "The Sing-Song of Old Man Kangaroo", "The Beginning of the Armadillos", "How The First Letter Was Written", "How The Alphabet Was Made", "The Crab That Played With The Sea", "The Cat That Walked By Himself", "The Tabu Tale", and "The Butterfly That Stamped". This edition is printed on premium acid-free paper and includes the original illustrations by the author.


 

Contents

I
3
II
17
III
31
IV
45
V
65
VI
87
VII
101
VIII
123
IX
145
X
171
XI
197
XII
225
Copyright

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Popular passages

Page 83 - I keep six honest serving-men (They taught me all I knew); Their names are What and Why and When, and How and Where and Who.
Page 212 - Cave, as long as he does not pull my tail too hard, for always and always and always. But still I am the Cat that walks by himself, and all places are alike to me.
Page 29 - The Camel's hump is an ugly lump Which well you may see at the Zoo; But uglier yet is the hump we get From having too little to do. Kiddies and grown-ups too-oo-oo, If we haven't enough to do-oo-oo, We get the hump— Cameelious hump— The hump that is black and blue! We climb out of bed with a frouzly head And a snarly-yarly voice. We shiver and scowl and we grunt and we growl At our bath and our boots and our toys; And there ought to be a corner...
Page 197 - Cat grew very angry and said, "Has Wild Dog told tales of me?" Then the Woman laughed and said, "You are the Cat who walks by himself, and all places are alike to you. You are neither a friend nor a servant. You have said it yourself. Go away and walk by yourself in all places alike.
Page 167 - OF all the Tribe of Tegumai Who cut that figure, none remain, — On Merrow Down the cuckoos cry — The silence and the sun remain. But as the faithful years return And hearts unwounded sing again, Comes Taffy dancing through the fern To lead the Surrey spring again. Her brows are bound with bracken-fronds And golden elf-locks fly above ; Her eyes are bright as diamonds And bluer than the skies above. In...
Page 209 - it is I, for you have spoken a second word in my praise, and now I can sit by the warm fire at the back of the Cave for always and always and always. But still I am the Cat who walks by himself, and all places are alike to me.
Page 65 - Then Kolokolo Bird said, with a mournful cry, " Go to the banks of the great grey-green greasy Limpopo River, all set about with fever trees, and find out.
Page 69 - and I'll whisper." Then the Elephant's Child put his head down close to the Crocodile's musky, tusky mouth, and the Crocodile caught him by his little nose, which up to that very week, day, hour, and minute, had been no bigger than a boot, though much more useful. "I think...
Page 202 - When the Man waked up he said, " What is Wild Dog doing here?" And the Woman said, "His name is not Wild Dog any more, but the First Friend, because he will be our friend for always and always and always. Take him with you when you go hunting.
Page 207 - And he went back through the Wet Wild Woods waving his wild tail, and walking by his wild lone.

About the author (1907)

Kipling, who as a novelist dramatized the ambivalence of the British colonial experience, was born of English parents in Bombay and as a child knew Hindustani better than English. He spent an unhappy period of exile from his parents (and the Indian heat) with a harsh aunt in England, followed by the public schooling that inspired his "Stalky" stories. He returned to India at 18 to work on the staff of the Lahore Civil and Military Gazette and rapidly became a prolific writer. His mildly satirical work won him a reputation in England, and he returned there in 1889. Shortly after, his first novel, The Light That Failed (1890) was published, but it was not altogether successful. In the early 1890s, Kipling met and married Caroline Balestier and moved with her to her family's estate in Brattleboro, Vermont. While there he wrote Many Inventions (1893), The Jungle Book (1894-95), and Captains Courageous (1897). He became dissatisfied with life in America, however, and moved back to England, returning to America only when his daughter died of pneumonia. Kipling never again returned to the United States, despite his great popularity there. Short stories form the greater portion of Kipling's work and are of several distinct types. Some of his best are stories of the supernatural, the eerie and unearthly, such as "The Phantom Rickshaw," "The Brushwood Boy," and "They." His tales of gruesome horror include "The Mark of the Beast" and "The Return of Imray." "William the Conqueror" and "The Head of the District" are among his political tales of English rule in India. The "Soldiers Three" group deals with Kipling's three musketeers: an Irishman, a Cockney, and a Yorkshireman. The Anglo-Indian Tales, of social life in Simla, make up the larger part of his first four books. Kipling wrote equally well for children and adults. His best-known children's books are Just So Stories (1902), The Jungle Books (1894-95), and Kim (1901). His short stories, although their understanding of the Indian is often moving, became minor hymns to the glory of Queen Victoria's empire and the civil servants and soldiers who staffed her outposts. Kim, an Irish boy in India who becomes the companion of a Tibetan lama, at length joins the British Secret Service, without, says Wilson, any sense of the betrayal of his friend this actually meant. Nevertheless, Kipling has left a vivid panorama of the India of his day. In 1907, Kipling became England's first Nobel Prize winner in literature and the only nineteenth-century English poet to win the Prize. He won not only on the basis of his short stories, which more closely mirror the ambiguities of the declining Edwardian world than has commonly been recognized, but also on the basis of his tremendous ability as a popular poet. His reputation was first made with Barrack Room Ballads (1892), and in "Recessional" he captured a side of Queen Victoria's final jubilee that no one else dared to address.

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