The blissful Muse, whose favouring smile So lately warm'd his peaceful breast, In Transport's radiant garments drest, The gaudy train, who wait on Spring[69], With cool regard their various arts employ, Nor rouse the drooping mind, nor give the pause of joy. Ha! what forms, with port sublime[71], Glide along in sullen mood, High above Misfortune's flood? They seize their harps, they strike the lyre, [69] Ode on Spring. [70] Ode on the Prospect of Eton College. Obedient Nature hears the lofty sound, And Snowdon's airy cliffs the heavenly strains re sound. In pomp of state, behold they wait, With arms outstretch'd, and aspects kind, The child of Fancy left behind: By rapture's blaze impell'd they swell the artless lay. But ah! in vain they strive to sooth, Behold she comes, the fiend forlorn, With frantic fury and insatiate rage, She gnaws the throbbing breast and blasts the glowing page. No more the soft Æolian flute [73] Breathes thro' the heart the melting strain; [72]Hymn to Adversity. [73] The Progress of Poesy. The powers of Harmony are mute, And leave the once-delightful plain; With heavy wing, I see them beat the air, Yet stay, O! stay, celestial pow'rs, O watch with me his last expiring breath, And snatch him from the arms of dark, oblivious Hark the fatal Sisters [74] join, And with Horror's mutt'ring sounds, Weave the tissue of his line, While the dreadful spell resounds. "Hail, ye midnight sisters, hail, "Drive the shuttle swift along; "O'er the glory of the land, "O'er the innocent and gay, [74] The Fatal Sisters, an Ode. 'Tis done, 'tis done-the iron hand of pain, Thus fades the flow'r nipp'd by the frozen gale, Ye sacred sisters of the plaintive verse, Oft when the Curfew tolls its parting knell O'er his green grave, in Contemplation's guise, Big with the sweets of each revolving year: [75] Elegy in a Country Church-Yard. |