The English Illustrated Magazine, Volume 10Macmillan and Company, 1893 |
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Page 588
... Moya . " " Dick , " said Kilpatrick , suddenly turning towards him , " I must provide for Desmond - I simply must do it - I should be a cad if I didn't . " The intently watchful look which Conseltine's face had worn was replaced by his ...
... Moya . " " Dick , " said Kilpatrick , suddenly turning towards him , " I must provide for Desmond - I simply must do it - I should be a cad if I didn't . " The intently watchful look which Conseltine's face had worn was replaced by his ...
Page 673
... Moya , " said Peebles , wiping his eyes , " ye've come at last to- " Only to hear of his happiness - only , maybe , to get one glimpse of his face . Oh , sir , if I could do that same I'd die happy , for the heaviness of years is on me ...
... Moya , " said Peebles , wiping his eyes , " ye've come at last to- " Only to hear of his happiness - only , maybe , to get one glimpse of his face . Oh , sir , if I could do that same I'd die happy , for the heaviness of years is on me ...
Page 675
... Moya , " will ye let a poor crathure kiss your forehead , for the sake of her own son that she'll never see again ? " She took his head between her hands , and pressed her lips to his brow in a long embrace . " The Lord be with you ...
... Moya , " will ye let a poor crathure kiss your forehead , for the sake of her own son that she'll never see again ? " She took his head between her hands , and pressed her lips to his brow in a long embrace . " The Lord be with you ...
Page 762
... the line , " Nocte pluit totâ , " for that " wet nights " were the frequent cause of ducks ' eggs the next day ! Dulce enta 2 salix Redeunt Spectacula CHAPTER VIII . MOYA MACARTNEY . ་་་ ་་་ ་་་ ང་. 762 A CHAT ABOUT CRICKET .
... the line , " Nocte pluit totâ , " for that " wet nights " were the frequent cause of ducks ' eggs the next day ! Dulce enta 2 salix Redeunt Spectacula CHAPTER VIII . MOYA MACARTNEY . ་་་ ་་་ ་་་ ང་. 762 A CHAT ABOUT CRICKET .
Page 763
... Moya Macartney in the church- yard , passed a sleepless and troubled night , re- volving in his mind all the events ... Moya's strenuous injunction to silence , and at once break to Lord Kilpatrick the news of her continued existence and ...
... Moya Macartney in the church- yard , passed a sleepless and troubled night , re- volving in his mind all the events ... Moya's strenuous injunction to silence , and at once break to Lord Kilpatrick the news of her continued existence and ...
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Common terms and phrases
artist asked Attila beard beautiful better Blake Carbourd Chalker church Church Army co'nnle colour Comédie Française Conseltine Courtland cricket cried dark dear Desmond door dovecote Dulcie England English eyes face Farling father Feagus feet followed Free Foresters G. F. WATTS girl Goldworthy golf half hand HARTMANN THE ANARCHIST head heard heart Hill horse hounds hour Kilpatrick knew lady Laflamme Lilias live London look Lord Major Reed Marie matter miles mind Miss Dows Miss Sally Molière Moya mustard never night once otter passed Peebles perhaps picture play Pollokshaw poor portrait present prison river round seemed seen ship side skating smile Southwold speak stand Stanesby Street tell thing thought tion took turned Véra voice Walberswick walked window woman Yakutsk young
Popular passages
Page 310 - Although thy breath be rude. Heigh, ho ! sing, heigh, ho ! unto the green holly : Most friendship is feigning, most loving mere folly Then, heigh, ho, the holly ! This life is most jolly. Freeze, freeze, thou bitter sky, That dost not bite so nigh As benefits forgot : Though thou the waters warp, Thy sting is not so sharp As friend remember'd not Heigh, ho ! sing, heigh, ho ! &c.
Page 158 - Cordelia, that never chang'd word with each other in the Original. This renders Cordelia's Indifference and her Father's Passion in the first Scene probable. It likewise gives Countenance to Edgar's Disguise, making that a generous Design that was before a poor Shift to save his Life.
Page 347 - And now, beloved Stowey! I behold Thy church-tower, and, methinks, the four huge elms Clustering, which mark the mansion of my friend; And close behind them, hidden from my view, Is my own lowly cottage, where my babe And my babe's mother dwell in peace!
Page 535 - We have fed our sea for a thousand years And she calls us, still unfed, Though there's never a wave of all her waves But marks our English dead: We have strawed our best to the weed's unrest, To the shark and the sheering gull. If blood be the price of admiralty, Lord God, we ha...
Page 534 - We were dreamers, dreaming greatly, in the man-stifled town; We yearned beyond the sky-line where the strange roads go down. Came the Whisper, came the Vision, came the Power with the Need, Till the Soul that is not man's soul was lent us to iead.
Page 164 - The contemptible machinery by which they mimic the storm which he goes out in, is not more inadequate to represent the horrors of the real elements, than any actor can be to represent Lear: they might more easily propose to personate the Satan of Milton upon a stage, or one of Michael Angelo's terrible figures.
Page 519 - AH, did you once see Shelley plain, And did he stop and speak to you And did you speak to him again ? How strange it seems and new...
Page 161 - A king, aye, every inch a king, Such Barry doth appear; But Garrick's quite a different thing — He's every inch King Lear.
Page 164 - Tate has put his hook in the nostrils of this Leviathan, for Garrick and his followers, the showmen of the scene, to draw the mighty beast about more easily.
Page 459 - To eat Westphalia ham in a morning, ride over hedges and ditches on borrowed hacks, come home in the heat of the day with a fever, and (what is worse a hundred times) with a red mark on the forehead from an uneasy hat; all this may qualify them to make excellent wives for foxhunters and bear abundance of ruddy complexioned children.