The English Illustrated Magazine, Volume 10Macmillan and Company, 1893 |
From inside the book
Results 1-5 of 75
Page 12
... door . " " Your bright eyes see everything , Miss Luck , " protested Mr. Smith . " There are no flies on Lolie , " said Miss Luck gracefully acknowledging the com- pliment , but refusing to be put off by it she added impatiently , " Who ...
... door . " " Your bright eyes see everything , Miss Luck , " protested Mr. Smith . " There are no flies on Lolie , " said Miss Luck gracefully acknowledging the com- pliment , but refusing to be put off by it she added impatiently , " Who ...
Page 17
... door opened beyond the outer office where they stood and a voice with some slight American intonation said outside in the corridor , " Good night , Mr. Finacane . " She started and stepped forward to intercept the man who had hunted ...
... door opened beyond the outer office where they stood and a voice with some slight American intonation said outside in the corridor , " Good night , Mr. Finacane . " She started and stepped forward to intercept the man who had hunted ...
Page 28
... Scotland's " Tullochgorum passed through the crowd at the church door to conduct his first service , and shortly afterwards the ancient dame was listening to an extempore discourse from the words , " 28 BEARDS AND NO BEARDS .
... Scotland's " Tullochgorum passed through the crowd at the church door to conduct his first service , and shortly afterwards the ancient dame was listening to an extempore discourse from the words , " 28 BEARDS AND NO BEARDS .
Page 50
... door should always be placed in sight of the dwelling - house ; whether the pigeon - house is built within or without the courtyard , because the master of the house may keep in awe those that go in or come out of the pigeon - house ...
... door should always be placed in sight of the dwelling - house ; whether the pigeon - house is built within or without the courtyard , because the master of the house may keep in awe those that go in or come out of the pigeon - house ...
Page 64
... door he turned as if to say something , but he only looked steadily , sadly at her , and then was gone . She stood where he had left her , gazing with melancholy abstraction at the door through which he had passed . There were footsteps ...
... door he turned as if to say something , but he only looked steadily , sadly at her , and then was gone . She stood where he had left her , gazing with melancholy abstraction at the door through which he had passed . There were footsteps ...
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Popular passages
Page 310 - Although thy breath be rude. Heigh, ho ! sing, heigh, ho ! unto the green holly : Most friendship is feigning, most loving mere folly Then, heigh, ho, the holly ! This life is most jolly. Freeze, freeze, thou bitter sky, That dost not bite so nigh As benefits forgot : Though thou the waters warp, Thy sting is not so sharp As friend remember'd not Heigh, ho ! sing, heigh, ho ! &c.
Page 158 - Cordelia, that never chang'd word with each other in the Original. This renders Cordelia's Indifference and her Father's Passion in the first Scene probable. It likewise gives Countenance to Edgar's Disguise, making that a generous Design that was before a poor Shift to save his Life.
Page 347 - And now, beloved Stowey! I behold Thy church-tower, and, methinks, the four huge elms Clustering, which mark the mansion of my friend; And close behind them, hidden from my view, Is my own lowly cottage, where my babe And my babe's mother dwell in peace!
Page 535 - We have fed our sea for a thousand years And she calls us, still unfed, Though there's never a wave of all her waves But marks our English dead: We have strawed our best to the weed's unrest, To the shark and the sheering gull. If blood be the price of admiralty, Lord God, we ha...
Page 534 - We were dreamers, dreaming greatly, in the man-stifled town; We yearned beyond the sky-line where the strange roads go down. Came the Whisper, came the Vision, came the Power with the Need, Till the Soul that is not man's soul was lent us to iead.
Page 164 - The contemptible machinery by which they mimic the storm which he goes out in, is not more inadequate to represent the horrors of the real elements, than any actor can be to represent Lear: they might more easily propose to personate the Satan of Milton upon a stage, or one of Michael Angelo's terrible figures.
Page 519 - AH, did you once see Shelley plain, And did he stop and speak to you And did you speak to him again ? How strange it seems and new...
Page 161 - A king, aye, every inch a king, Such Barry doth appear; But Garrick's quite a different thing — He's every inch King Lear.
Page 164 - Tate has put his hook in the nostrils of this Leviathan, for Garrick and his followers, the showmen of the scene, to draw the mighty beast about more easily.
Page 459 - To eat Westphalia ham in a morning, ride over hedges and ditches on borrowed hacks, come home in the heat of the day with a fever, and (what is worse a hundred times) with a red mark on the forehead from an uneasy hat; all this may qualify them to make excellent wives for foxhunters and bear abundance of ruddy complexioned children.