Caxton (1422) to Walton (1593)Dodd, Mead, 1907 |
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Page 6
... manner . There could unquestionably have been no difficulty in getting the book manifolded at Bruges by the ordinary mediæval methods ; but it was just at this moment that news of the novel German mystery of printing had reached ...
... manner . There could unquestionably have been no difficulty in getting the book manifolded at Bruges by the ordinary mediæval methods ; but it was just at this moment that news of the novel German mystery of printing had reached ...
Page 17
... manner , if we may accept the autobiographical indications of his greatest poem , the poet seemed " elvish , doing to no wight dalliaunce , " with the habit of staring on the ground , as if he would find a hair -a practice common with ...
... manner , if we may accept the autobiographical indications of his greatest poem , the poet seemed " elvish , doing to no wight dalliaunce , " with the habit of staring on the ground , as if he would find a hair -a practice common with ...
Page 19
... manner which was entirely fresh and strange to mediæval fiction . Boccaccio had used the ottava rima in his poem , but Chaucer uses the seven - line stanza with a mastery which indicates a rapid artistic growth about this period ( 1381 ...
... manner which was entirely fresh and strange to mediæval fiction . Boccaccio had used the ottava rima in his poem , but Chaucer uses the seven - line stanza with a mastery which indicates a rapid artistic growth about this period ( 1381 ...
Page 23
... heart and soul of a man of its integument . With Shake- speare a tragedy means the ruin of a man's mind . With Chaucer it is merely the external fall from high estate . 1 In his manner of depicting a man , from GEOFFREY CHAUCER 23.
... heart and soul of a man of its integument . With Shake- speare a tragedy means the ruin of a man's mind . With Chaucer it is merely the external fall from high estate . 1 In his manner of depicting a man , from GEOFFREY CHAUCER 23.
Page 24
Sir William Robertson Nicoll, Thomas Seccombe. 1 In his manner of depicting a man , from the external side only , he has more in common with Scott and Fielding than with Shakespeare ; 1 yet there is no doubt that Chaucer stands with ...
Sir William Robertson Nicoll, Thomas Seccombe. 1 In his manner of depicting a man , from the external side only , he has more in common with Scott and Fielding than with Shakespeare ; 1 yet there is no doubt that Chaucer stands with ...
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A. H. Bullen allegory appeared Bacon beauty Ben Jonson Bible Bishop blank verse born called Cambridge Canterbury Canterbury Tales Caxton century character Charles Chaucer chronicle Church classical comedy contemporary court death Dekker died Donne drama dramatists Earl early edition Edward Elizabethan England English poetry essays Faerie Faerie Queene famous Fletcher folio France French George George Whetstone Gorboduc Henry VIII Herbert honour humour imitation Italian James John Jonson King King's later Latin licence literary literature London Lord Lyly lyrical Marlowe metre moral noble original Oxford passion pastoral plays poems poet poetic popular printed probably prose published Puritan quarto Queen reign rhyme Richard satire scholar seems Shake Shakespeare Shepheards Calender Sidney Sir Thomas song sonnets Spenser stage story Stratford style theatre Thomas Campion tion Titus Andronicus tragedy translation vols William writing written wrote Wynkyn de Worde
Popular passages
Page 98 - Christ was the word that spake it; He took the bread and brake it ; And what the word did make it, That I believe and take it.
Page 400 - Complete Angler; or, The Contemplative Man's Recreation : being a Discourse of Rivers, Fishponds. Fish and Fishing, written by IZAAK WALTON ; and Instructions how to Angle for a Trout or Grayling in a clear Stream, by CHARLES COTTON.
Page 361 - Since I am coming to that holy room Where, with Thy choir of saints for evermore, I shall be made Thy music; as I come I tune the instrument here at the door, And what I must do then, think here before.
Page 240 - Sweet Swan of Avon! what a sight it were To see thee in our waters yet appear, And make those flights upon the banks of Thames, That so did take Eliza, and our James!
Page 182 - I labour to pourtraict in Arthure, before he was king, the image of a brave knight, perfected in the twelve private morall vertues, as Aristotle hath devised, the which is the purpose of these first twelve bookes...
Page 165 - From jigging veins of rhyming mother wits And such conceits as clownage keeps in pay, We'll lead you to the stately tent of war Where you shall hear the Scythian Tamburlaine Threatening the world with high astounding terms And scourging kingdoms with his conquering sword.
Page 222 - This precious stone set in the silver sea, Which serves it in the office of a wall, Or as a moat defensive to a house, Against the envy of less happier lands, This blessed plot, this earth, this realm, this England...
Page 382 - Whoe'er she be, That not impossible she That shall command my heart and me...
Page 249 - It had bene a thing, we confesse, worthie to have bene wished, that the author himselfe had liv'd to have set forth and overseen his owne writings; but since it hath bin ordain'd otherwise, and he by death departed from that right...
Page 217 - He had, by a misfortune common enough to young fellows, fallen into ill company, and amongst them, some that made a frequent practice of deer-stealing, engaged him more than once in robbing a park that belonged to Sir Thomas Lucy, of Charlecote, near Stratford.