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THE CHILDREN'S HOUR. BETWEEN the dark and the daylight, When the night is beginning to lower,' Comes a pause in the day's occupations, That is known as the Children's Hour.

I hear in the chamber above me

The patter of little feet, The sound of a door that is opened, And voices soft and sweet. From my study I see in the lamplight, Descending the broad hall-stair, Grave Alice, and laughing Allegra, And Edith with golden hair. A whisper, and then a silence :

Yet I know by their merry eyes They are plotting and planning together To take me by surprise.

A sudden rush from the stairway,
A sudden raid from the hall!
By three doors left unguarded
They enter my castle wall!

They climb up into my turret

O'er the arms and back of my chair; If I try to escape they surround me ; They seem to be everywhere. They almost devour me with kisses, Their arms about me entwine, Till I think of the Bishop of Bingen

In his Mouse-Tower on the Rhine! Do you think, O blue-eyed banditti, Because you have scaled the wall, Such an old moustache as I am

Is not a match for you all!

I have you fast in my fortress,

And will not let you depart,
But put you down into the dungeon
In the round-tower of my heart.
And there will I keep you forever,

Yes, forever and a day,

Till the walls shall crumble to ruin,
And moulder in dust away!

O little hearts! that throb and beat
With such impatient, feverish heat,

Such limitless and strong desires; Mine, that so long has glowed and burned,

With passions into ashes turned,

Now covers and conceals its fires.

O little souls! as pure and white
And crystalline as rays of light
Direct from heaven, their source
divine;

years,

Refracted through the mist of
How red my setting sun appears,
How lurid looks this soul of mine!

NOTES.

which he said had been sent him by Lord Durham, who had paid him a visit; and I then spoke of 'Me cal mouri' as known to me. This was enough to make him forget his hoarseness and every other evil; it would never do for me to imagine that that little song was his best composition; it was merely his first; he must try to read to me a little of 'L'Abuglo,'-a few verses of Françouneto;'You will be charmed,' said he; ‘but if I were well, and you would give me the pleasure of your company for some time, if you were not merely running through Agen, I would kill you with weeping,-I would make you die with distress for my poor Margarido, my pretty Françouneto!'

"He caught up two copies of his book from a pile lying on the table, and making us sit close to him, he pointed out the French translation on one side, which he told us to follow while he read in Gascon. He began in a rich, soft voice, and as he advanced, the surprise of Hamlet on hearing the player-king recite the disasters of Hecuba was but a type of ours, to find ourselves carried away by the spell of his enthusiasm. His eyes swam in tears; he became pale and red; he trembled; he recovered himself; his face was now joyous, now exulting, gay, jocose; in fact, he was twenty actors in one; he rang the changes from Rachel to Bouffé; and he finished by delighting us, besides beguiling us of our tears, and overwhelming us with astonishment.

"He would have been a treasure on the stage; for he is still, though his first youth is past, remarkably good-looking and striking; with black, sparkling eyes, of intense expression; a fine, ruddy complexion; a countenance of wondrous mobility; a good figure; and action full of fire and grace; he has handsome hands, which he uses with infinite effect; and, on the whole, he is the best actor of the kind I ever saw. I could now quite understand what a troubadour or jongleur might be, and I look upon Jasmin as a revived specimen of that extinct race. Such as he is might have been Gaucelm Faidit, of Avignon, the friend of Cœur de Lion, who lamented the death of the hero in such moving strains; such might have been Bernard de Ventadour, who sang the praises of Queen Elinore's beauty; such Geoffrey Rudel, of Blaye, on his own Garonne; such the wild Vidal: certain it is that none of these troubadours of old could more move, by their singing or reciting, than Jasmin, in whom all their long-smothered fire and traditional magic seems reillumined.

"We found we had stayed hours instead of minutes with the poet; but he would not hear of any apology,-only regretted that his voice was so out of tune, in consequence of a violent cold, under which he was really labouring, and hoped to see us again. He told us our countrywomen of Pau had laden him with kindness and attention, and spoke with 'such enthusiasm of the beauty of certain 'misses,' that I feared his little wife would feel somewhat piqued; but, on the contrary, she stood by, smiling and happy, and enjoying the stories of his triumphs. I remarked that he had restored the poetry of the troubadours; asked him if he knew their songs; and said he was worthy to stand at their head. 'I am, indeed, a troubadour,' said he, with energy; 'but I am far beyond them all; they were but beginners; they neyer composed a poem like my Françouneto! There are no poets in France now-there cannot be; the language does not admit of it: where is the fire, the spirit, the expression, the tenderness, the force, of the Gascon? French is but the ladder to reach to the first floor of Gascon,-how can you get up to a height except by a ladder?'

"I returned by Agen, after an absence in the Pyrenees of some months, and renewed my acquaintance with Jasmin and his dark-eyed wife. I did not expect that I should be recognised; but the moment I entered the little shop I was hailed as an old friend. 'Ah!' cried Jasmin, 'enfin la voilà encore!' I could not but be flattered by this recollection, but soon found it was less on my own account that I was thus welcomed, than because a circumstance had occurred to

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