Englische Studien, Volume 45O. R. Reisland, 1912 "Zeitschrift für englische Philologie" (varies slightly). |
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Page 12
... form , die mit notwendigkeit eine gewisse gleichheit zwischen den gestalten und motiven herbeiführen mußte , aber diese gleichheit findet sich nicht nur in ihnen , sondern in allen stücken dieser um jene zeit domi- nierenden art , wie ...
... form , die mit notwendigkeit eine gewisse gleichheit zwischen den gestalten und motiven herbeiführen mußte , aber diese gleichheit findet sich nicht nur in ihnen , sondern in allen stücken dieser um jene zeit domi- nierenden art , wie ...
Page 15
... form des trauerspieles die familientragödie hingestellt 1 ) , da dem verfasser das leiden , das sich blutsverwandte untereinander zufügen , am meisten ge- eignet scheint , furcht und mitleid zu erwecken . Nach solchen stoffen gilt es zu ...
... form des trauerspieles die familientragödie hingestellt 1 ) , da dem verfasser das leiden , das sich blutsverwandte untereinander zufügen , am meisten ge- eignet scheint , furcht und mitleid zu erwecken . Nach solchen stoffen gilt es zu ...
Page 29
... form abzuheben , und daß er aus diesem grunde zu dem längst überlebten stil griff . Die grundlinien des klassizistischen Urhamlet sind etwa folgende : Im mittelpunkt stand die Anagnorisis von mutter und sohn , die durch die erzählung ...
... form abzuheben , und daß er aus diesem grunde zu dem längst überlebten stil griff . Die grundlinien des klassizistischen Urhamlet sind etwa folgende : Im mittelpunkt stand die Anagnorisis von mutter und sohn , die durch die erzählung ...
Page 37
... form ; but is repeated openly in R. of L. ( v . 197 ) . - I wail in woe , I plunge in pain . H. M. C. ( 41 ) . Come , come , away with this wailing in woe ; if thou putst finger in the eye a little longer , I shall plunge in paine , too ...
... form ; but is repeated openly in R. of L. ( v . 197 ) . - I wail in woe , I plunge in pain . H. M. C. ( 41 ) . Come , come , away with this wailing in woe ; if thou putst finger in the eye a little longer , I shall plunge in paine , too ...
Page 41
... form of balancing is to be found in H. M. C. ( 38-9 ) : Y. Art . That I love you , let my face tell you ; that I love you more than ordinarily , let this kiss testify ; and that I love you fervently and entirely ; ask this gift and see ...
... form of balancing is to be found in H. M. C. ( 38-9 ) : Y. Art . That I love you , let my face tell you ; that I love you more than ordinarily , let this kiss testify ; and that I love you fervently and entirely ; ask this gift and see ...
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accusative Anglo-Irish Anglo-Saxon author Blackfriars book buch Byron case century Chaucer common construction Crist Cynewulf dialekte dichter diphthong diphthongiert drama Eccho Edward IV einfluß England Englische Studien ersten evidence example Exeter Book finden first form found französischen Gaelic genitive gerund given good grammatik great Hamlet hand heißt Heywood Hoops house infinitive influence instances Irish jahre John Mason John Shakespeare Jonson klassizisten know kunst language läßt leben life lights literatur London Lord love Luick made make Manfred Mont Blanc muß never night Old-Saxon Oscar Wilde personen place play Playboy plays poems poet poetry point preposition private theatres read same scenes schluß school seems Shad Shakespeare Shelley Sidney Lee spirit sprache stage stück subject syntax szene take teil text things Thomas Heywood thou time unsere Urhamlet used verfasser werk Widsith Wilde Woman words work world wort writer years
Popular passages
Page 345 - The kingdom of heaven is like to a grain of mustard seed, which a man took, and sowed in his field : which indeed is the least of all seeds ; but when it is grown, it is the greatest among herbs, and becometh a tree, so that the birds of the air come and lodge in thq branches thereof.
Page 163 - Green vales and icy cliffs, all join my Hymn. Thou first and chief, sole Sovereign of the Vale! O, struggling with the darkness all the night, And visited all night by troops of stars...
Page 6 - It is a common practice now-a-days, amongst a sort of shifting companions that run through every art and thrive by none, to leave the trade of Noverint, whereto they were born, and busy themselves with the endeavors of art, that could scarcely Latinize their neck-verse if they should have need; yet English Seneca, read by candle-light, yields many good sentences, as blood is a beggar...
Page 179 - Enter Friar Bacon, drawing the curtains, with a white stick, a book in his hand, and a lamp lighted by him, and the Brazen Head; and Miles, with weapons by him. Bacon. Miles, where are you? Miles. Here, sir. Bacon. How chance you tarry so long?
Page 163 - Thou too, hoar Mount! with thy sky-pointing peaks, Oft from whose feet the avalanche, unheard, Shoots downward, glittering through the pure serene Into the depth of clouds, that veil thy breast Thou too again, stupendous Mountain!
Page 188 - He, as his mistress doth; and she, by chance: Nor want there those who, as the boy doth dance Between the acts, will censure the whole play; Some like, if the wax-lights be new that day; But multitudes there are whose judgment goes Headlong according to the actors
Page 58 - How glorious art thou, Earth ! And if thou be The shadow of some spirit lovelier still, Though evil stain its work, and it should be, Like its creation, weak yet beautiful, I could fall down and worship that and thee.
Page 163 - GOD! let the torrents, like a shout of nations, Answer! and let the ice-plains echo, GOD!
Page 189 - Enter Atticus, Doricus, and Phylomuse, they sit a good while on the stage before the Candles are lighted, etc., etc. . . Enter Tier-man with lights." This waiting until the last moment before lighting up is also indicated in the induction to Middleton's Michaelmas Term, as acted at the same house in 1 607.
Page 6 - ... yet English Seneca read by candle-light yeeldes manie good sentences as 'bloud is a begger' and so forth: and if you intreate him faire in a frostie morning, he will affoord you whole Hamlets, I should say handfulls of tragicall speaches.