The Yale Literary Magazine, Volume 137Yale Literary Society, 1968 |
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Page 20
... Perhaps the most novel and provocative feature of the Confessions is its use of the first person and the consequent attempt to view the revolt from the interior perspective of a black man's consciousness . Of the aesthetic impulse which ...
... Perhaps the most novel and provocative feature of the Confessions is its use of the first person and the consequent attempt to view the revolt from the interior perspective of a black man's consciousness . Of the aesthetic impulse which ...
Page 24
... perhaps paradigmatic version of the dilemmas which beset the contemporary white intellectual : how to help the black man without condescension ; how to balance the demands of black power with an intellectual and visceral commitment to ...
... perhaps paradigmatic version of the dilemmas which beset the contemporary white intellectual : how to help the black man without condescension ; how to balance the demands of black power with an intellectual and visceral commitment to ...
Page 28
... perhaps Malcolm X was aware of something in the Negro cultural experience which demanded a religion , even though it was quite the opposite of Christianity . Yale Lit : In Nat Turner's case , isn't his type of Southern Negro religion ...
... perhaps Malcolm X was aware of something in the Negro cultural experience which demanded a religion , even though it was quite the opposite of Christianity . Yale Lit : In Nat Turner's case , isn't his type of Southern Negro religion ...
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Account activities Aged American appeared attempt Beardsley believe Bendix Birdsman black critics BUILDING called Charge CHECKING collection complete Confessions of Nat consciousness continued course cultural dances dark David demand dinner door English exist eyes face feel felt followers Genovese going HALL hand Haven historical historical novel HOUSE imagine important intellectual issue it's John kind Klagg leave LIBRARY light Literary literature living looked major master mean mind move Nat Turner Negro never novel OFFICE particular past perhaps person Peter Poem political problem publications question racial record religion religious Review revolt revolutionary sense serve simply sing slave slavery smile social South Southern STAFF QUARTERS Street student Styron thing thought tradition trees trying turning understand UNIVERSITY voice wait warm wife writing Yale Lit York young