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peace and joy that only flow from heavenly fountains, when the truth is that he is only in a good mood. He is well, all the machinery of his mind and body is playing harmoniously, and, of course, he feels well, and that is all there is about it. He is not a better Christian than he was when he slipped into the mood, and no better than he will be when he slips out of it. If he really be a good Christian, his moods operate like clouds and blue sky. The sun shines all the time, and the cloudy moods only hide it ;-they do not extinguish it.

There are many sad cases of insanity of a religious character which originate in moods. A man, through a period of health, has a bright and cheerful religious experience. The world looks pleasant to him, the heavens smile kindly upon him, and the Divine Spirit witnesses with his own that he is at peace and in harmony with God. Joy thrills him as he greets the morning light, and peace nestles upon his heart as he lies down to his nightly rest. He feels in his soul the influx of spiritual life from the Great Source of all life, as he opens it in worship and in prayer. But at length there comes a change. A strange sadness creeps into his heart. The sky that was once so bright has become dark. The prayer that once rose as easily as incense upon the still morning air, straight toward heaven, will not rise at all, but settles like smoke upon him, and fills his eyes with tears. Something seems to have

come between him and his God. voices are heard within him.

Strange, accusing However deep the

agony that moves him, he cannot rend the cloud that interposes between him and his Maker. This, now, is simply a mood produced by ill health; and I hope that everybody who reads this will remember it. Remember that God never changes, that a man's moods are constantly changing, and that when a man earnestly seeks for spiritual peace, and cannot find it, and thinks that he has committed the unpardonable sin without knowing it, he is bilious, and needs medical treatment. Alas! what multitudes of sad souls have walked out of this hopeless mood into a life-long insanity, when all they needed in the first place, perhaps, was a dose of blue pills, or half a dozen strings of tenpins, or a seavoyage sufficiently rough for "practical purposes."

This subject I find to be abundantly prolific, and I see that I have been able to do hardly more than to hint at its more prominent aspects. It seems to me that moods only need to be studied more, and to be better understood, to bring them very much under the domain of our wills. A great deal is learned when we know what a mood is, and know that we are subject to varying frames of mind, resulting from causes which affect our health. If I know that I am impatient and cross because I am hungry, then I know how to get rid of my mood, and how to manage it until I do get rid

of it. If I feel unable to labor, not because I am feeble, but because I am not in the mood, then I have the mood in my hands, to be dealt with intelligently. If my reason tell me that it is only a mood that hides from me the face of my Maker, my reason will also tell me that my first business is to get rid of my mood, and that my will must approach the work, directly or indirectly. We are always and necessarily in some mod of mind-in some condition of passion or feeling. t is the intensification and the dominant influence of moods that are to be guarded against or destroyed. Moods are dangerous only when they obscure reason, and destroy self-control, and disturb the mental poise, and become the media of false impressions from all the life around us and within us.

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LESSON II.

BODILY IMPERFECTIONS AND IMPEDIMENTS.

"I that am curtailed of this fair proportion,
Cheated of feature by dissembling nature,
Deformed, unfinished, sent before my time
Into this breathing world, scarce half made up."
RICHARD III.

"None can be called deformed but the unkind."
SHAKSPEARE.

""Tis true, his nature may with faults abound;
But who will cavil when the heart is sound?"
STEPHEN MONTAGUE.

T is a bright June morning. The fresh grass is loaded with dew, every bead of which sparkles in the light of the brilliant sun. A big, yellow-shouldered bee comes booming through the open window, and buzzes up and down my room, and threatens my shrinking ears, and then dives through the window again; and his form recedes and his hum dies away, as if it were the note of a reed-stop in the "swell" of a church organ. There is such confusion in the songs of the

birds, that I can hardly select the different notes, so as to name their owners. There is a great deal of bird

singing that is simply what a weaver would call “filling." Robins and bobolinks and blue-birds and sundry other favorites furnish the warp, and color and characterize the tapestry of a flowing, vocal morning; while the little, gray-backed multitude work in the neutral ground tones, and bring the sweeter and more elaborate notes into beautiful relief. Thus, with a little aid of imagination, I get up some very exquisite fabrics— vocal silks and satins :-robins on a field of chickadees; bobolinks and thrushes alternately on a hit-or-miss ground of blackbirds, wrens, and pewees. Into the midst of all this delicious confusion there breaks a note that belongs to another race of creatures; and as I look from my window, and see the singer, my eyes fill with tears. It is a little boy, possibly twelve years old, though he looks younger, walking with a crutch. One withered limb dangles as he goes. He is a cripple for life; yet his face is as bright and cheerful as the face of the morning itself; and what do you think he is singing? "Hail Columbia, happy land," at the top of his lungs! The birds are merrily wheeling over his head, and diving through the air, and moving here and there as freely as the wind, yet not one among them carries a lighter heart than that which he is jerking along by the side of the little crutch.

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