The Yale Literary Magazine, Volume 136, Issues 1-3Yale Literary Society, 1967 |
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Page 38
... sound effects build up progressively a gleeful nuttiness , filled with the same kind of clutter that one finds in Mad magazine cartoons . A charming detail which actually reinforces this impression appears in the last stanza , when the ...
... sound effects build up progressively a gleeful nuttiness , filled with the same kind of clutter that one finds in Mad magazine cartoons . A charming detail which actually reinforces this impression appears in the last stanza , when the ...
Page 39
... sound effects in the middle section of the piece . The panting after " I noticed I was late " turns the whole section , and hence the narrator's conscious life , into a caricature . Here , the piece approaches pop art reminiscent of ...
... sound effects in the middle section of the piece . The panting after " I noticed I was late " turns the whole section , and hence the narrator's conscious life , into a caricature . Here , the piece approaches pop art reminiscent of ...
Page 24
... sound as well as in the creation of the sound itself . Time is the compositional element over which Humphrey exercises the least control in the overture and arias . He has left it to the performer to decide on both the tempi of various ...
... sound as well as in the creation of the sound itself . Time is the compositional element over which Humphrey exercises the least control in the overture and arias . He has left it to the performer to decide on both the tempi of various ...
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