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" A blank, my lord : She never told her love, But let concealment, like a worm i' the bud, Feed on her damask cheek : she pined in thought ; And, with a green and yellow melancholy, She sat like patience on a monument, Smiling at grief. "
Braddock: A Story of the French and Indian Wars - Page 24
by John Roy Musick - 1893 - 470 pages
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Elements of criticism [by H. Home].

Henry Home (lord Kames.), Lord Henry Home Kames - 1817 - 532 pages
...turmoil, A blessed soul doth in Elysium. Two Gentlemen of Verona, Act II. Sc. 7. She never told her love; But let concealment, like a worm i' the bud, Feed on her damask cheek : she pin'd in thought; And with a green and yellow melancholy, She sat like Patience on a monument, Smiling...
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The Spirit of the English Magazines

1830 - 504 pages
...a virtuous man can possess, or can covet. — ArntU. ALICE MORRISON. '' She nerer told her 'tale,' But let concealment, like a worm i' the bud, Feed on her damask cheek." "NAT, do not indulge in this sad anticipation, dear Nurse, else you will a sad and clouded brow then,"...
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Blackwood's Magazine, Volume 26

1829 - 1008 pages
...your lordship. Duke. And what's her history " 13 Viola. A blank, my lord ! She never told her lore, But let concealment, like a worm i' the bud, Feed on her .1 HIM-!, cheek: she pined in thought, And, with a green and yellow melancholy, She sat like Patience...
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The Family Shakspeare: In Ten Volumes; in which Nothing is Added ..., Volume 1

William Shakespeare - 1818 - 358 pages
...woman, I should your lordship. Duke. And what's her history ? Vio. A blank, my lord : She never told her love, But let concealment, like a worm i' the bud, Feed on her damask cheek : she pin'd in thought ; And, with a green and yellow melancholy, She sat like patience on a monument, Smiling...
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Characters of Shakespeare's Plays

William Hazlitt - 1818 - 342 pages
...never told her lorn : She let concealment, like a worm i' th' bud, Prey on her damask cheek, she pin'd in thought, And with a green and yellow melancholy, She sat like Patienc* on a monument, Smiling at grief. Was not Out love indeed ? We men may say more, swear mere,...
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Pantologia. A new (cabinet) cyclopædia, by J.M. Good, O. Gregory ..., Volume 3

John Mason Good - 1819 - 694 pages
...manifest relation and resemblance, as the following figure in Shakspeare : " She never told her love, Uut let concealment, like a worm i' the bud, Feed on her damask cheek : she pined in thought, And sat like Patience on a monument, Smiling at Grief." Or this, from Dr. Young's Revenge : " The maid...
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Shakspeare's Genius Justified: Being Restorations and ..., Volume 10

Zachariah Jackson - 1819 - 504 pages
...addition of two parenthesis, give full power and perfect beauty to the whole figure. I read : she pin'd in thought; And, with a green and yellow melancholy She sat, (like patience on a monument,) Smiling at grief. The parenthetical part of the passage requires modulation of the voice. The Poet represents...
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Elements of Criticism, Volume 2

Lord Henry Home Kames - 1819 - 434 pages
...blessed soul doth in Elysium. Two Gentlemen o/ Verona, Act ii, Sc. 10. " - — — She neter told her love ; But let concealment, like a worm i' the bud, Feed on her damask cheek ; she pin'd in thought ; And with a gieen and yellow melancholy, She sat like Patience on a monument, Smiling...
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The British Novelists: With an Essay, and Prefaces ..., Volume 11, Part 3

1820 - 412 pages
...never told h«r love; But let concealment, like a worm i* th' bud, Feed on her damask cheek : she pin'd in thought; And, with a green and yellow melancholy, She sat, like Patience on a monument, Smiling at grief. Now, chevalier, if you had any design in your pointing to these very pretty lines, I will...
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A Grammar of Rhetoric and Polite Literature: Comprehending the Principles of ...

Alexander Jamieson - 1820 - 388 pages
...never told her love, But let concealmant, like a worm in the hud, Feed on her damask cheek. She pin'd in thought, And with a green and yellow melancholy, She sat, like patience on a monument, Smiling at grief.*" 277. Emhellishing comparisons, — those with which we are chiefly concerned at present,'...
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